违章的语言

Y. Howard
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引用次数: 0

摘要

在这一章中,我们可以看到,在萨菲尔的地下表演诗歌和随后的作品中,丑陋是概念性的和文本性的。身体、语言和性虐待作为一种独特的令人不安的诗学运作,它超越了种族和性的丑陋,认识到虐待在构思少数民族差异方面所起的作用。这一章在《美国梦》(1994)和《黑翼与盲天使》(1999)的诗歌中,通过受黑术启发的明确的、体验性的侵犯语言,找到了被侵犯的身体。在蓝宝石的相关文本中,生存的遗产、虐待和轻蔑的表面作为暴力在酷儿黑人身体上的铭文:《推》(1996)、改编自它的电影《珍爱》(2009)和它的后续小说《孩子》(2011)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Language of Violation
In this chapter, ugliness is observable as conceptual and textual in Sapphire’s underground performance poetry and subsequent body of work. Physical, verbal, and sexual abuse operates as a distinctively disquieting poetics that transvalues racial and sexual ugliness for a recognition of the role that abuse plays in conceiving of minority difference. This chapter locates the violated body in and through the Black-Arts–inspired explicit and experiential language of violation in poems from Sapphire’s American Dreams (1994) and Black Wings & Blind Angels (1999). Legacies of survival, abuse, and the pejorative surface as reinscriptions of violence on the queer black body in Sapphire’s related texts: Push (1996), its film adaptation, Precious (2009), and its follow-up novel, The Kid (2011).
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