归化还是异化:寓言和童话的翻译方法

Ala’a Jasim Obaid, Bayda Ali Al-Obaydi
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引用次数: 0

摘要

本研究探讨了最流行的儿童文学体裁在阿拉伯语翻译中所使用的策略;也就是通过童话故事和寓言来寻找翻译这些类型的最佳方法和策略,以达到丰富儿童知识的最终目的,同时吸引他们的兴趣,唤起他们在每一部文学作品中所寻求的快乐。本研究从三个主要趋势出发:第一,呼吁采用归化策略作为儿童翻译中最合适和最有效的策略。同样,第二种倾向反对使用异化策略,而第三种倾向主张联合使用各种策略来满足在语境中需要的某些要求和需要,如教学目的。在检查和验证这些趋势的过程中,翻译类型的样本是根据最流行和最知名的童话和寓言来选择的,这些童话和寓言要么以书面形式流传,要么以电影或动画片的形式在电视上传播;也就是安徒生的童话和伊索寓言。这些样本经过翻译质量评估,得出质量声明,以突出其优点和缺点。受体(儿童)的影响也通过进行一项实地研究来寻求,该研究是针对由专业学者定义为该类型的预期受体的两个年龄组的儿童设计的
本文章由计算机程序翻译,如有差异,请以英文原文为准。
To Domesticate or to Foreignize: An Approach to Translating Fables and Fairy Tales
The present study deals with the strategies used in the Arabic translations of the most popular genres of children’s literature; namely fairy tales and fables as an attempt to identify the best methods and strategies to be adopted in translating these genres to fulfill the ultimate purpose of enriching the children’s knowledge in addition to attracting their interest and arousing the joy sought for in every piece of literature. The study sets off from three dominating trends: the first calls for the adoption of domestication strategy of translation as the most appropriate and effective strategy in translation for children. In the same line, the second opposes using the foreignization strategy, while the third trend advocates for the joint employment of various strategies to fulfill certain requirements and needs that would be called upon within the context such as didactic purposes. Throughout the process of examining and verifying the theses of these trends, samples of translations of the genres are chosen based on the most popular and well known fairy tales and fables either circulated in written form or televised as movies or cartoons; namely Hans Christian Andersen’s Fairy Tales and Aesop’s Fables. These samples are subjected to translation quality assessment to come out with a quality statement to highlight their merits and demerits. The receptors’ (children) impact is also sought via conducting a field study that has been designed for children of two age groups defined by specialized scholars as intended receptors of the genre
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