蓬卡巴东舞是马吉纳kayu angin的ello-elloq舞蹈的痕迹

Sahajuddin Sahajuddin
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引用次数: 0

摘要

ello-elloq舞蹈是一种传统舞蹈,诞生于Pongka Padang时期,并成为Majene摄政Kayu Angin传统的一部分。因为这种舞蹈很有趣,可以揭示它在国语历史中的痕迹,所以本研究旨在解释国语历史中ello-elloq舞蹈的痕迹。采用史学的方法,从历史的角度出发,从启发式过程、来源批判、解释、史学等方面对研究问题进行解释。研究结果表明,由于蓬卡巴东的历史痕迹,ello-elloq舞是乌伦那萨鲁曼达尔统一形成的一种具有特殊意义的传统舞蹈。ello-elloq舞蹈反映了当时普通话的历史和文化现实,特别是在Kayu Angin。在这个地区,Pongka Padang和Torije 'ne被认为是国语的锚定者,ello-elloq舞蹈是Pongka Padang历史的一部分,也是国语中Kayu Angin社区文化价值发展的起点。ello-elloq舞蹈的文化价值是通过Pongka Padang的祈祷而产生的服从和忠诚的价值、传统与现实的沟通价值、感恩和娱乐的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PONGKA PADANG AS A TRACE OF THE DANCE OF ELLO-ELLOQ IN KAYU ANGIN, MAJENE
The dance of ello-elloq is a traditional dance which was born during the period of Pongka Padang and became a part of tradition in Kayu Angin, Majene Regency. Because the dance was interesting to reveal its traces in Mandar history, this study aimed to explain the traces of the dance of ello-elloq in Mandar history. The method used was history which explained the research problems based on the historical perspectives, starting from the heuristic process, source criticism, interpretation, historiography. The study result showed that the dance of ello-elloq was a traditional dance with a particular meaning for the formation of the unities in Ulunna Salu Mandar due to the historical traces of Pongka Padang. The dance of ello-elloq hunt the historical and cultural reality of Mandar at the time, especially in Kayu Angin. In this area, Pongka Padang and Torije’ne were considered as Mandar anchestors and the dance of ello-elloq was a part of the history of Pongka Padang as well as the starting point for the development of cultural values in Kayu Angin community in Mandar. The cultural values in the dance of ello-elloq were the value of obedience and loyalty through the votive of Pongka Padang, the value of communication between tradition and reality, and the value of gratitude and entertainment.
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