表格及附录一览表

D. Griffiths.
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引用次数: 0

摘要

很有可能,作为流行音乐的偶像,埃尔维斯·科斯特洛(Elvis Costello)看起来仍然像《年度模特》(This Year’s Model, 1978)的封面,如果他被一辆公共汽车碾过,人们就会播放《奥利弗的军队》(Oliver’s Army, 1979),表达惊讶和忧郁的敬意。科斯特洛被伯特·巴赫拉克(Burt Bacharach)誉为“伟大的幸存者”,他创作了大量重要的作品。这是第一本关于科斯特洛的书,它试图避免按时间顺序呈现,更倾向于采用主题方法,专注于近三十年来将“电台甜心”和“乡村黑暗”分开的音乐和文字。这本书除了介绍科斯特洛作为摇滚音乐家演奏的歌曲外,还将包括对他最近的专辑《从记忆中画出来》、《北方》和《一曲野》等的深入讨论。还讨论了科斯特洛为支持他的录音的CD再版而写的文章,这是一部接近批判性自传的大量作品。这本书可能与人们的预期相悖,它认为在所有方面——音乐、文字、声音、乐器资源——科斯特洛的作品都在拓宽和深化,因为他给自己设定了扩大可用表达材料范围的任务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LIST OF TABLES AND APPENDICES
It’s likely that, as an icon of pop music, Elvis Costello still looks like the cover of This Year’s Model (1978) and, were he run over by a bus, it’s ‘Oliver’s Army’ (1979) that would be played in surprised and sombre tribute. Here to stay, and recognized by Burt Bacharach as ‘a great survivor’, Costello has produced a large and significant body of work. This is the first book on Costello that sets out to avoid chronological presentation, preferring a thematic approach focused on music and words over the nearly thirty years that separate ‘Radio Sweetheart’ and ‘Country Darkness’. In addition to engaging with the songs Costello has performed as a rock musician, the book will include informed discussion of more recent albums such as Painted from Memory, North, and Il Sogno . There is also discussion of essays Costello has written to support CD reissues of his recordings, a substantial body of writing approaching a critical autobiography. The book may contradict expectation, arguing that on all fronts – music, words, voice, instrumental resource - Costello’s work broadens and deepens, as he sets himself the task of expanding the range of expressive material available.
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