{"title":"借用科普兰的大张旗鼓","authors":"Stanley V. Kleppinger","doi":"10.30535/smtv.8.4","DOIUrl":null,"url":null,"abstract":"This video explores the stylistic and associative evolution of the emblematic sound Aaron Copland forged in his Fanfare for the Common Man (1942). This style, called here the triumphant exordium, consists of a constellation of specific musical features that has been imitated and troped by other composers—and by Copland himself—to carve out musical landscapes with evocative expressive qualities that include both clear and ambiguous connections with Americana. After summarizing the Fanfare’s original musical and extra-musical contexts, this video illuminates this legacy through three case studies.","PeriodicalId":305096,"journal":{"name":"The Society for Music Theory Videocast Journal","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Appropriating Copland’s Fanfare\",\"authors\":\"Stanley V. Kleppinger\",\"doi\":\"10.30535/smtv.8.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This video explores the stylistic and associative evolution of the emblematic sound Aaron Copland forged in his Fanfare for the Common Man (1942). This style, called here the triumphant exordium, consists of a constellation of specific musical features that has been imitated and troped by other composers—and by Copland himself—to carve out musical landscapes with evocative expressive qualities that include both clear and ambiguous connections with Americana. After summarizing the Fanfare’s original musical and extra-musical contexts, this video illuminates this legacy through three case studies.\",\"PeriodicalId\":305096,\"journal\":{\"name\":\"The Society for Music Theory Videocast Journal\",\"volume\":\"8 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Society for Music Theory Videocast Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30535/smtv.8.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Society for Music Theory Videocast Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30535/smtv.8.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这段视频探讨了Aaron Copland在他的《Fanfare for the Common Man》(1942)中塑造的标志性声音的风格和联想演变。这种风格，在这里被称为胜利的序曲，由一系列特定的音乐特征组成，这些特征被其他作曲家——包括科普兰自己——模仿和渲染，以创造出具有唤起表现力的音乐景观，其中包括与美国文化的明确和模糊的联系。在总结了《号角》的原始音乐和音乐之外的背景之后，本视频通过三个案例研究阐明了这一遗产。
This video explores the stylistic and associative evolution of the emblematic sound Aaron Copland forged in his Fanfare for the Common Man (1942). This style, called here the triumphant exordium, consists of a constellation of specific musical features that has been imitated and troped by other composers—and by Copland himself—to carve out musical landscapes with evocative expressive qualities that include both clear and ambiguous connections with Americana. After summarizing the Fanfare’s original musical and extra-musical contexts, this video illuminates this legacy through three case studies.
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