字里行间的学术:暹罗文学手稿的行间注释

Peera Panarut
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摘要

本文探讨了在十八世纪末和十九世纪的暹罗文学手稿中书写行间注释的传统。这些注释注释了从大城府王国传入的文本和改编自外国诗歌的文本中发现的古老和晦涩的单词,例如高棉语和兰那泰语的文字片段,反映了曼谷时期传统学者试图理解这些古老和外国文学文本的尝试。每份文学手稿上的注释似乎是单独添加的,并不完全相同。唯一反映注释传统的文本是《元法》,这是一部来自15世纪大城府的古老皇家悼词,在多个手稿中可以找到相同的注释。此外,《元派》的注释也被采用和加强,最终在19世纪后期形成了一个单独的文本注释。尽管幸存下来的有注解的手稿数量有限,但其中的行间注解揭示了传统学者和读者如何解读文学文本,因此应被视为研究暹罗文学和暹罗手稿文化的重要证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Scholarship between the Lines: Interlinear Glossing in Siamese Literary Manuscripts
: This article explores the tradition of writing interlinear glosses in Siamese literary manuscripts dated to the late eighteenth and the nineteenth cen- tury. The glosses annotate archaic and obscure words found in texts transmitted from the kingdom of Ayutthaya and in texts adapted from foreign poetry, such as pieces of writing in Khmer and the Lan Na Tai language, reflecting an attempt by traditional scholars of the Bangkok period to comprehend these archaic and for- eign literary texts. The glosses from each literary manuscript appear to have been added separately and are not identical. The only text which reflects the glossing tradition is Yuan Phai , an archaic royal eulogy from fifteenth-century Ayutthaya in which identical glosses can be found in multiple manuscripts. Furthermore, the glosses in Yuan Phai were also adopted and enhanced, eventually constitut- ing a separate commentary of the text in the late nineteenth century. Although the number of glossed manuscripts that have survived is limited, the interlinear glosses in them reveal how literary texts were interpreted by traditional scholars and readers and should therefore be regarded as significant evidence of the study of Siamese literature and Siamese manuscript culture.
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