两个羽毛的故事。对格雷厄姆·肖恩的采访

Carlos Tapia Martín, M. R. Alves
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引用次数: 0

摘要

通常,当记者或作家在当代文化背景下为一个知名的、相关的人建立一个框架时,他们会把他和最好的比较对象放在一起,以校准他的重要性。敏锐的读者会记得,在一本关于他的采访的汇编书中,这位序言作者将福柯与第欧根尼进行了比较,认为哲学的效用,对于伟大的doxograph来说,是要为每一种可能的情况做好准备。我们可以说,希腊支持什么,法国就坚持什么。而且,在对比之后的狂野相遇中,没有语言可以表达对无畏的钦佩,对最终获得新翅膀的专注者的钦佩。这样,在50年的教学生涯结束后,科林·罗在退休演讲中质问自己,巧妙地使用了詹巴蒂斯塔·蒂埃波罗(Giambattista Tiepolo)的一幅画,画框里有翻滚的天使,表达了他对高处的眩晕(试图攀登到伟大的知识),导致他坠落,就像现代的伊卡洛斯(Icarus)。是琼·奥克曼告诉了我们这个故事,现在是历史,还有更多的同行,如詹姆斯·斯特林,阿尔文·博雅斯基,弗雷德·科特和其他许多人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A TALE OF TWO FEATHERS. AN INTERVIEW TO D. GRAHAME SHANE
sually, when journalists or writers make a frame for a well-known and relevant person in the context of contemporary culture, they cast him with the best comparative peers, to calibrate his significance. A sharp reader can remember how, in one of the many compilation books on his interviews, the prologist compares Foucault with Diogenes, to argue that the utility of philosophy was, for the great doxograph, to be prepared and prepare to every eventuality. As the Greek supports, so the French maintains, we could say. And, in the wild encounter after the comparison, there are no words to express the admiration for the audacity, for the focused person who finally acquired new wings to fly higher. In this way, interrogated himself in the retirement tribute lecture after five decades teaching, Colin Rowe used masterfully a Giambattista Tiepolo’s picture with tumbled angels out from the frame to express his vertigo towards the heights (trying to climb to the great knowledge) inducing him to fall, as a Modern Icarus. Joan Ockman was the one who told us the story, now history, and in addition to more peers, as James Stirling, Alvin Boyarsky, Fred Koetter and many others.
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