文化记忆的追寻与再现:以「故宫文学家」作品中的「北沟故宫」书写为主

羅秀美 羅秀美
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At that time, a group of \" the Palace Museum writers故宮文學家\" appeared. They had a deep or shallow relationship with the \" the Palace Museum in Beigou北溝故宮\",they had left relevant memory writing,these texts are the objects of this paper. In this paper, the concept of cultural space and literary memory is discussed in this dissertation. Firstly, discussion is about the “memory space” in Beigou北溝,the memory space constructed by the Zhuang Yan莊嚴 father and son for most of his life and the Palace Museum 故宮’s cultural relics moved to Beigou北溝. Secondly, it discusses the inheritance of traditional culture by the literati in this cultural space, that is, the memory of Kung Te-Cheng孔德成 and Tai Jing-nong臺靜農 and others to the Palace Museum in Beigou北溝故宮 to count the cultural relics. Thirdly, on the reappearance of personal memory, mainly on the the Palace Museum in Beigou北溝故宮 trip of Tai Jing-nong臺靜農 and Lin Wen-yue林文月, Ling Shu-hua凌叔華and Su Xue-lin蘇雪林. Fourthly, the cultural tourism resort in the collective memory, as well as the history of Qi Bang-yuan’s齊邦媛English translation and accompanying visits. Through the above-mentioned discussion, the individual’s literary memory can be presented in addition to the collective grand historical narrative, especially enrich the cultural memory of the Palace Museum in Beigou北溝故宮.\n \n","PeriodicalId":243831,"journal":{"name":"中正漢學研究","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"文化記憶的追尋與再現:以「故宮文學家」作品中的「北溝故宮」書寫為主\",\"authors\":\"羅秀美 羅秀美\",\"doi\":\"10.53106/2306036020191200340006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n 1949年後北京故宮輾轉播遷至臺灣,落腳於臺中霧峰北溝(1950-1965)十六年。守護者莊嚴全家也落腳於此,此地乃當時臺中最重要的文化及旅遊勝地。然1965年北溝故宮北遷後,空餘庫房山洞供人憑弔。當時曾出現一批「故宮文學家」,他們與「北溝故宮」有或深或淺的關係,曾留下相關記憶的書寫,這些文本正是本論文考察的對象。職是,本論文以文化空間與文學記憶為論述概念,首論偏安北溝的「回憶空間」,莊嚴父子大半生與故宮文物流離至北溝所構建的回憶空間。其次則論在此文化空間的文人對傳統文化的傳承,即孔德成與臺靜農等人至北溝故宮清點文物的記憶。第三則論及個體記憶的再現,以臺靜農與林文月、凌叔華與蘇雪林的北溝旅行為主。第四則論及集體記憶中的文化旅遊勝地,兼論齊邦媛的英譯暨陪訪史。透過以上討論,可在集體的歷史大敘述外,呈現個體的文學記憶,豐富北溝故宮之文化記憶。\\n After 1949, the Palace Museum from Beijing relocated to Taiwan and settled in Beigou北溝 of Taichung (1950-1965) for 16 years. 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引用次数: 0

摘要

1949年后北京故宫辗转播迁至台湾,落脚于台中雾峰北沟(1950-1965)十六年。守护者庄严全家也落脚于此,此地乃当时台中最重要的文化及旅游胜地。然1965年北沟故宫北迁后,空余库房山洞供人凭吊。当时曾出现一批「故宫文学家」,他们与「北沟故宫」有或深或浅的关系,曾留下相关记忆的书写,这些文本正是本论文考察的对象。职是,本论文以文化空间与文学记忆为论述概念,首论偏安北沟的「回忆空间」,庄严父子大半生与故宫文物流离至北沟所构建的回忆空间。其次则论在此文化空间的文人对传统文化的传承,即孔德成与台静农等人至北沟故宫清点文物的记忆。第三则论及个体记忆的再现,以台静农与林文月、凌叔华与苏雪林的北沟旅行为主。第四则论及集体记忆中的文化旅游胜地,兼论齐邦媛的英译暨陪访史。透过以上讨论,可在集体的历史大叙述外,呈现个体的文学记忆,丰富北沟故宫之文化记忆。 After 1949, the Palace Museum from Beijing relocated to Taiwan and settled in Beigou北沟 of Taichung (1950-1965) for 16 years. Zhuang Yan庄严 and his family who guard the Palace Museum in Beigou北沟故宫 is also setteled here, this place also was the most important cultural tourist attraction in Taichung.However, after the Palace Museum in Beigou北沟故宫 moved northward in 1965, the empty warehouse caves in this area were for people to hang. At that time, a group of " the Palace Museum writers故宫文学家" appeared. They had a deep or shallow relationship with the " the Palace Museum in Beigou北沟故宫",they had left relevant memory writing,these texts are the objects of this paper. In this paper, the concept of cultural space and literary memory is discussed in this dissertation. Firstly, discussion is about the “memory space” in Beigou北沟,the memory space constructed by the Zhuang Yan庄严 father and son for most of his life and the Palace Museum 故宫’s cultural relics moved to Beigou北沟. Secondly, it discusses the inheritance of traditional culture by the literati in this cultural space, that is, the memory of Kung Te-Cheng孔德成 and Tai Jing-nong台静农 and others to the Palace Museum in Beigou北沟故宫 to count the cultural relics. Thirdly, on the reappearance of personal memory, mainly on the the Palace Museum in Beigou北沟故宫 trip of Tai Jing-nong台静农 and Lin Wen-yue林文月, Ling Shu-hua凌叔华and Su Xue-lin苏雪林. Fourthly, the cultural tourism resort in the collective memory, as well as the history of Qi Bang-yuan’s齐邦媛English translation and accompanying visits. Through the above-mentioned discussion, the individual’s literary memory can be presented in addition to the collective grand historical narrative, especially enrich the cultural memory of the Palace Museum in Beigou北沟故宫.
本文章由计算机程序翻译,如有差异,请以英文原文为准。
文化記憶的追尋與再現:以「故宮文學家」作品中的「北溝故宮」書寫為主
1949年後北京故宮輾轉播遷至臺灣,落腳於臺中霧峰北溝(1950-1965)十六年。守護者莊嚴全家也落腳於此,此地乃當時臺中最重要的文化及旅遊勝地。然1965年北溝故宮北遷後,空餘庫房山洞供人憑弔。當時曾出現一批「故宮文學家」,他們與「北溝故宮」有或深或淺的關係,曾留下相關記憶的書寫,這些文本正是本論文考察的對象。職是,本論文以文化空間與文學記憶為論述概念,首論偏安北溝的「回憶空間」,莊嚴父子大半生與故宮文物流離至北溝所構建的回憶空間。其次則論在此文化空間的文人對傳統文化的傳承,即孔德成與臺靜農等人至北溝故宮清點文物的記憶。第三則論及個體記憶的再現,以臺靜農與林文月、凌叔華與蘇雪林的北溝旅行為主。第四則論及集體記憶中的文化旅遊勝地,兼論齊邦媛的英譯暨陪訪史。透過以上討論,可在集體的歷史大敘述外,呈現個體的文學記憶,豐富北溝故宮之文化記憶。  After 1949, the Palace Museum from Beijing relocated to Taiwan and settled in Beigou北溝 of Taichung (1950-1965) for 16 years. Zhuang Yan莊嚴 and his family who guard the Palace Museum in Beigou北溝故宮 is also setteled here, this place also was the most important cultural tourist attraction in Taichung.However, after the Palace Museum in Beigou北溝故宮 moved northward in 1965, the empty warehouse caves in this area were for people to hang. At that time, a group of " the Palace Museum writers故宮文學家" appeared. They had a deep or shallow relationship with the " the Palace Museum in Beigou北溝故宮",they had left relevant memory writing,these texts are the objects of this paper. In this paper, the concept of cultural space and literary memory is discussed in this dissertation. Firstly, discussion is about the “memory space” in Beigou北溝,the memory space constructed by the Zhuang Yan莊嚴 father and son for most of his life and the Palace Museum 故宮’s cultural relics moved to Beigou北溝. Secondly, it discusses the inheritance of traditional culture by the literati in this cultural space, that is, the memory of Kung Te-Cheng孔德成 and Tai Jing-nong臺靜農 and others to the Palace Museum in Beigou北溝故宮 to count the cultural relics. Thirdly, on the reappearance of personal memory, mainly on the the Palace Museum in Beigou北溝故宮 trip of Tai Jing-nong臺靜農 and Lin Wen-yue林文月, Ling Shu-hua凌叔華and Su Xue-lin蘇雪林. Fourthly, the cultural tourism resort in the collective memory, as well as the history of Qi Bang-yuan’s齊邦媛English translation and accompanying visits. Through the above-mentioned discussion, the individual’s literary memory can be presented in addition to the collective grand historical narrative, especially enrich the cultural memory of the Palace Museum in Beigou北溝故宮.  
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