法语口语的音乐意识:其教学条件作用的要素

Sophie Aubin
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引用次数: 1

摘要

一般语言的音乐意识,特别是法语作为外语教学领域的音乐意识,今天仍然很弱,不是广义的,远远不如语言和文化意识。通过将自己置于法语语言文化音乐教学法的框架中,这种自发的,直观的和反映的音乐意识的调节模式似乎可以在逻辑上根据法语语言音乐在口语模式中产生的基本存在和学习者掌握它的需要来取代它们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conscience musicale du français langue parlée : éléments pour son conditionnement didactique
Musical awareness of languages in general and that of the French language in particular in the field of teaching French as a foreign language remains weak today, not generalized and far inferior to linguistic and cultural awareness. By placing oneself within the framework of the didactology-didactics of the music of the French language-culture, it appears that modes of conditioning of this spontaneous, intuitive and reflected musical consciousness can logically take their place in accordance with the fundamental existence of the music of the French language produced in the spoken mode and of the need for the learner to master it.
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