“我们想在那里”:画家谦虚的眼神。在fenelon的《死者对话》(LII和LIII)中，图像、它的制造和它的挪用

{"title":"“我们想在那里”:画家谦虚的眼神。在fenelon的《死者对话》(LII和LIII)中，图像、它的制造和它的挪用","authors":"Alain Brunn","doi":"10.3406/gadge.2016.1177","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":146721,"journal":{"name":"Cahiers du GADGES","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"«On voudrait y être» : le regard modeste du peintre. L’image, sa fabrique et son appropriation dans les Dialogues des morts (LII et LIII) de Fénelon\",\"authors\":\"Alain Brunn\",\"doi\":\"10.3406/gadge.2016.1177\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":146721,\"journal\":{\"name\":\"Cahiers du GADGES\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cahiers du GADGES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3406/gadge.2016.1177\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cahiers du GADGES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3406/gadge.2016.1177","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}