不可思议的梦

Marzia Jamili, Brittany Nugent, Dove Barbanel
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引用次数: 1

摘要

《难以想象的梦》由现居瑞典的哈扎拉难民玛齐亚·贾米利编剧和导演,是一部民族志随笔电影,讲述了玛齐亚在希腊雅典的最后日子。马齐亚将纪录片和小说结合在一起,让她最好的朋友们神奇地重现了她对雅典最珍贵的记忆,同时她向阿富汗发表了一篇令人心碎的演讲,在演讲中她向大海讲述了她破碎的祖国。这个电影项目旨在展示合作电影制作作为一种方法的可能性,特别是针对移民研究中客位观察方法的局限性和公共话语中缺乏难民声音的情况。通过重演和马齐亚的书信体叙事,《难以想象的梦》在想象中重新呈现了归属感和公民权的概念,将过去和未来的虚拟和现实地理交织在一起。面对永久的流离失所和公共抹去,电影媒介在雅典提供了一个可见性的声明空间,在这里,它的制作者阐明了被国家剥夺的权利和欲望。《难以想象的梦想》是梅丽莎网络电影俱乐部的第一部作品,这是一个由布列塔尼·纽金特和德芙·巴巴内尔共同创立的合作项目,通过赋予成员重新获得凝视和创造自己叙事的权力,挑战对移民妇女的霸权表现。一群来自阿富汗、伊朗、叙利亚、伊拉克、肯尼亚、尼日利亚和埃塞俄比亚的富有创造力的女性分享不同的观点,分析她们最喜欢的电影,学习电影制作技巧,并合作制作原创作品,为移民故事增添紧迫的个人细微差别和深度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unimaginable Dreams
Written and directed by Marzia Jamili, a Hazara refugee now living in Sweden, Unimaginable Dreams is an auto-ethnographic essay film that traces Marzia’s last days in Athens, Greece. Blending documentary and fiction, Marzia casts her best friends to recreate magically real versions of her dearest memories of Athens as she delivers a cutting address to Afghanistan, in which she tells the sea about her broken homeland.   This film project seeks to demonstrate the possibilities of collaborative filmmaking as a methodology, particularly in response to the limitations of etic observational approaches in migration research and the lack of refugee voices in public discourse. Through reenactment and Marzia’s epistolary narrative, Unimaginable Dreams resurfaces notions of belonging and citizenship within the imagination, weaving together oneiric and real geographies situated in the past and future. Facing perpetual displacement and public erasure, the film medium offers a declarative space of visibility in Athens, where its maker articulates rights and desires denied by the state.   Unimaginable Dreams is the first production by the Melissa Network's Film Club, a collaborative program cofounded by Brittany Nugent and Dove Barbanel that challenges hegemonic representations of migrant women by empowering members to reclaim the gaze and create narratives of their own. A creative group of women from Afghanistan, Iran, Syria, Iraq, Kenya, Nigeria and Ethiopia share diverse perspectives to analyze their favorite movies, learn filmmaking skills and collaborate on original productions that add urgent personal nuance and depth to migration storytelling.
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