{"title":"穆罕默德·迪布的《狩猎大师》中的室内景观","authors":"Chibani Ali","doi":"10.5209/thel.69891","DOIUrl":null,"url":null,"abstract":"The landscape, in Le Maître de chasse, is first of all an external landscape that nevertheless allows access to the inner world of the characters. Then, it is the poetic landscape that is constructed by association and contiguity to offer a place of freedom which is in contrast to the places of political oppression. As a manifestation of historical truth, the landscape occupies the space of silence and the unheard-of political and social reality of postcolonial Algeria.","PeriodicalId":240150,"journal":{"name":"Thélème. Revista Complutense de Estudios Franceses","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interior Landscapes in Le Maître de chasse by Mohammed Dib\",\"authors\":\"Chibani Ali\",\"doi\":\"10.5209/thel.69891\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The landscape, in Le Maître de chasse, is first of all an external landscape that nevertheless allows access to the inner world of the characters. Then, it is the poetic landscape that is constructed by association and contiguity to offer a place of freedom which is in contrast to the places of political oppression. As a manifestation of historical truth, the landscape occupies the space of silence and the unheard-of political and social reality of postcolonial Algeria.\",\"PeriodicalId\":240150,\"journal\":{\"name\":\"Thélème. Revista Complutense de Estudios Franceses\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Thélème. Revista Complutense de Estudios Franceses\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5209/thel.69891\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Thélème. Revista Complutense de Estudios Franceses","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/thel.69891","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
《Le maire de chasse》中的风景,首先是一种外部风景,但它允许进入人物的内心世界。然后,它是诗意的景观,通过联想和邻近来构建,提供一个自由的地方,与政治压迫的地方形成对比。作为历史真相的表现,景观占据了沉默的空间和后殖民阿尔及利亚闻所未闻的政治和社会现实。
Interior Landscapes in Le Maître de chasse by Mohammed Dib
The landscape, in Le Maître de chasse, is first of all an external landscape that nevertheless allows access to the inner world of the characters. Then, it is the poetic landscape that is constructed by association and contiguity to offer a place of freedom which is in contrast to the places of political oppression. As a manifestation of historical truth, the landscape occupies the space of silence and the unheard-of political and social reality of postcolonial Algeria.