{"title":"让读者困惑或如何克服21世纪魁北克公路小说的刻板印象——francois Blais的例子","authors":"Ewelina Berek","doi":"10.31261/RS.2019.16.17","DOIUrl":null,"url":null,"abstract":"The article discusses the stereotype of road novel in Québec in the 21st century, exemplified by François Blais’s sixth novel entitled Document 1 published in 2012. Blais’s novel appears different from the typical road novels by playing with the genre’s codes in order to create something altogether new. The aim of the article is to shed light on the character development, the representations of place and the journey itself presented in the novel.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dérouter le lecteur ou comment dépasser le stéréotype du roman de la route au Québec au XXIe siècle – l’exemple de François Blais\",\"authors\":\"Ewelina Berek\",\"doi\":\"10.31261/RS.2019.16.17\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article discusses the stereotype of road novel in Québec in the 21st century, exemplified by François Blais’s sixth novel entitled Document 1 published in 2012. Blais’s novel appears different from the typical road novels by playing with the genre’s codes in order to create something altogether new. The aim of the article is to shed light on the character development, the representations of place and the journey itself presented in the novel.\",\"PeriodicalId\":332744,\"journal\":{\"name\":\"Romanica Silesiana\",\"volume\":\"38 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanica Silesiana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31261/RS.2019.16.17\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanica Silesiana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/RS.2019.16.17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Dérouter le lecteur ou comment dépasser le stéréotype du roman de la route au Québec au XXIe siècle – l’exemple de François Blais
The article discusses the stereotype of road novel in Québec in the 21st century, exemplified by François Blais’s sixth novel entitled Document 1 published in 2012. Blais’s novel appears different from the typical road novels by playing with the genre’s codes in order to create something altogether new. The aim of the article is to shed light on the character development, the representations of place and the journey itself presented in the novel.
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