Ülli Kont
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引用次数: 0

摘要

用玻璃珠刺绣装饰的男士皮带构成了爱沙尼亚民族文化遗产的一个小而鲜为人知的特殊部分。这些腰带可以在爱沙尼亚的博物馆里找到,但直到今天,它们还没有得到太多的分析。资料显示,19世纪20年代,串珠腰带作为男性服装的一部分出现,当时它与民族服装和城市服装一起佩戴。串珠腰带在19世纪下半叶最流行。由于研究人员认为它们没什么兴趣,它们并没有被有意识地与传统民间艺术和民族服装联系起来:腰带的制作方法和材料并不被认为是传统的,因为这些珠子是在商店里买的。这就是为什么用于刺绣和缝制串珠腰带的各种方法迄今尚未得到研究,也是为什么本文作者现在正在为这一领域做出自己的贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Helmevöö – kas linnasakste poekaup või Eesti talunaiste käsitöö? / Beaded Belts – Store-bought Goods for Urban Aristocrats or Estonian Peasant Women’s Handicraft?
Men’s leather belts decorated with glass bead embroidery comprise a small and little-known, but nevertheless exceptional part of the Estonian ethnographic heritage. The belts can be found in museums in Estonia, but up to the present day they have not been much analysed. Data indicates that beaded belts appeared as part of men’s clothing in the 1820s when they were worn with both national costumes and city-type clothes. Beaded belts were most popular in the second half of the 19th century. As researchers have perceived them to be items of little interest, they have not been consciously associated with traditional folk art and national costume: the belt-making methods and material were not considered traditional because the beads were bought in shops. This is why the various methods used to embroider and sew beaded belts have so far escaped study, and why the author of this article is now making her own contribution to this area.
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