没有女权主义的赋权?性物化后女权主义风格

Ashley McKay, S. Moore, W. Kubik
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引用次数: 2

摘要

在我们当代的后女权主义媒体文化中,新的约束和监管形式通过女性“自由”的表面扩散而出现,广告商利用女权主义的表面术语来销售产品。罗莎琳德·吉尔(Rosalind Gill)指出了广告中的一个重大转变,在广告中,女性不再被视为被动的性客体,而是被视为主动的、渴望性的主体,她们热情地参与自我展示的实践和形式,而早期的女权主义学者认为这是性别歧视和从属的形式。在我们当代的后女性主义媒体文化中,后女性主义意识形态采用女性主义“抵抗”的话语来强化男权规范。因此,女性只有在不破坏支配婚姻、母性、消费主义、女性美和女性性行为的父权规范的情况下,才被“授权”做出选择。本文将探讨“赋权”被用作意识形态议程的一部分的方式,将女性的注意力从她们没有获得平等的事实上引开,并特别关注媒体对女性美貌和女性性行为的表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Empowerment without Feminism? Sexual Objectification Post-feminist Style
In our contemporary post-feminist media culture, new forms of constraint and regulation emerge through a seeming proliferation of female “freedoms” that are adopted by advertisers using the surface terminology of feminism to sell products. Rosalind Gill has addressed a significant shift in ads, where women are no longer presented as passive sexual objects, but are seen as active, desiring sexual subjects, who enthusiastically participate in practices and forms of self-presentation that earlier generations of feminist scholars considered to be forms of sexism and subordination. In our contemporary post-feminist media culture, post-feminist ideology adopts discourses of feminist “resistance” in order to reinforce patriarchal norms. Thus, women are only “empowered” to make choices insofar as they do not disrupt patriarchal norms that govern marriage, motherhood, consumerism, female beauty and female sexuality. This paper will address the ways in which “empowerment” is utilized as a part of an ideological agenda to direct women‟s attention away from the fact that they have not gained equality, with particular attention being paid to media representations of female beauty and female sexuality.
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