《M-1大奖赛》和《满载》中满载行为变化的编年史

Takuma Ino, M. Yamada
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摘要

漫载是日本传统的单口喜剧。在大多数漫仔表演中,两个表演者,一个傻瓜(Boke)和一个直男(Tsukkomi),以高速的速度相互开玩笑。大多数笑话围绕着相互误解、双关语、双关语和其他插科打诨。在过去的二十年里,由于M-1大奖赛和the manzai两场比赛,manzai变得非常受欢迎。这两项比赛都奖励当年最佳漫仔组合。M-1大奖赛于2001年至2010年和2015年至今举行,而MANZAI则于2011年至2014年举行。在比赛的最后阶段,几对在预赛中获胜的manzai组合将在舞台上表演manzai,评委小组将对他们的manzai表演进行评分,然后选出最佳manzai组合。2021年,参赛选手增加到6000多对,现在,一位标志性的喜剧演员和活跃的漫仔演员对最近的漫仔表演的风格和技巧进行了批评。在本研究中,我们调查了M-1大奖赛和the manzai决赛选手在舞台上表演的249个manzai表演,以阐明manzai风格在过去二十年中的变化。统计每年筑食的风格和类型、包食的风格和类型、漫载的结构等因素的数量,并构建19 × 174的交叉表。然后,对该表进行对应分析和聚类分析。对应分析结果为二维解,累积贡献率为36%。在此二维平面上的聚类分析结果表明,满仔行为被划分为3个时期,即M-1大奖赛前期、The满仔时期和M-1大奖赛后期。结果还表明,在M-1大奖赛早期,漫仔行为倾向于使用小品和Tsukkomi发展情节。然后,筑米和博科逐渐使用各种技巧,博科发展情节的漫载行为数量增加。通过这种方式,阐明了近二十年来漫载风格的变化以及风格和类型的变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Chronicling Changes of Manzai Acts in M-1 Grand Prix and the Manzai
Manzai is a type of traditional stand-up comedy in Japan. In most cases of manzai acts, two performers, a fool (Boke) and a straight man (Tsukkomi), trade jokes at a high speed. Most of the jokes revolve around mutual misunderstandings, double-talk, puns and other gags. In the last two decades, manzai has become very popular thanks to two contests, M-1 Grand Prix and THE MANZAI. Both contests reward the best manzai duo for that year. M-1 Grand Prix was held between from 2001 to 2010 and from 2015 to the present, whereas THE MANZAI was from 2011 to 2014. In the final stage of the contests, several manzai duos, who won the proceeding phases of preliminary rounds, perform manzai on stage, and a panel of judges rates their manzai acts, then the best manzai duo is decided. In 2021, the number of the contestants increased to over 6,000 duos, and now, an iconic comedian and active manzai performers are criticizing the styles and techniques in recent manzai acts. In the present study, 249 manzai acts performed by the finalists on the stage of the M-1 Grand Prix and THE MANZAI were investigated to clarify how manzai styles have changed in the last two decades. Numbers in the factors of styles and types of Tsukkomi, styles and types of Boke, and structure of manzai were counted for each year, and a 19 x 174 cross-tabulation table was constructed. Then, this table was analyzed using correspondence analysis and cluster analysis. The results of the correspondence analysis showed a two-dimensional solution with the cumulative contribution ration of 36 %. The results of the cluster analysis on this two-dimensional plane showed that the manzai acts were divided into three periods, the early period of M-1 Grand Prix, the period of THE MANZAI and the late period of M-1 Grand Prix. The results also showed that the manzai acts tended to use skits and Tsukkomi developed the plots, in the early period of M-1 Grand Prix. Then, both Tsukkomi and Boke gradually came to use various skillful techniques, and the number of manzai acts increased where the Boke develops the plot. In this way, it was clarified how the styles of manzai changed and the variation of the style and types increased in the last two decades.
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