{"title":"伊朗文坛:概述","authors":"Laetitia Nanquette","doi":"10.3366/edinburgh/9781474486378.003.0004","DOIUrl":null,"url":null,"abstract":"This chapter first examines the polarisation of the independent and government sectors according to political orientation and explains the history of this division in the Iranian literary field. The next section considers the restrictions to the market, both those internal to Iran (from censorship to material constraints on paper supplies) and those external to Iran (sanctions, lack of copyright agreements). Finally, I analyse two institutions that represent how the field works on its margins: the Saadi Foundation, a recently founded cultural institution that focuses on Persian language, and the Union of Tehran Publishers and Booksellers.","PeriodicalId":277741,"journal":{"name":"Iranian Literature after the Islamic Revolution","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Iranian Literary Field: An Overview\",\"authors\":\"Laetitia Nanquette\",\"doi\":\"10.3366/edinburgh/9781474486378.003.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter first examines the polarisation of the independent and government sectors according to political orientation and explains the history of this division in the Iranian literary field. The next section considers the restrictions to the market, both those internal to Iran (from censorship to material constraints on paper supplies) and those external to Iran (sanctions, lack of copyright agreements). Finally, I analyse two institutions that represent how the field works on its margins: the Saadi Foundation, a recently founded cultural institution that focuses on Persian language, and the Union of Tehran Publishers and Booksellers.\",\"PeriodicalId\":277741,\"journal\":{\"name\":\"Iranian Literature after the Islamic Revolution\",\"volume\":\"43 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Iranian Literature after the Islamic Revolution\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474486378.003.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Iranian Literature after the Islamic Revolution","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474486378.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本章首先检视独立文学界与政府文学界根据政治倾向的两极化,并解释这种分化在伊朗文学界的历史。下一节将考虑对市场的限制,包括伊朗国内的限制(从审查制度到纸张供应的物质限制)和伊朗外部的限制(制裁,缺乏版权协议)。最后,我分析了两个代表该领域边缘运作方式的机构:萨阿迪基金会(Saadi Foundation)和德黑兰出版商和书商联盟(Union of Tehran Publishers and Booksellers)。萨阿迪基金会是最近成立的一个文化机构,专注于波斯语研究。
This chapter first examines the polarisation of the independent and government sectors according to political orientation and explains the history of this division in the Iranian literary field. The next section considers the restrictions to the market, both those internal to Iran (from censorship to material constraints on paper supplies) and those external to Iran (sanctions, lack of copyright agreements). Finally, I analyse two institutions that represent how the field works on its margins: the Saadi Foundation, a recently founded cultural institution that focuses on Persian language, and the Union of Tehran Publishers and Booksellers.