从犯罪学的传说到犯罪学的幻想

Gino Ríos Patio
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As word and concept, the myth began to lose credit and devalue to acquire a derogatory meaning, coming to be used loosely as a synonym shaped canard of widespread but false belief at the time that philosophical disquisitions and scientific elucidations appeared and were knowledge of the community. It is known to position estructuralista Levi-Strauss anthropologist,1 whereby, myth consist irreconcilable antipodes, such as creation against destruction, life against death, or against bad; and it provides the reconciliation of these extremes to exorcise our consciousness. Also, Parker2 refers to the functionalist anthropologist Malinowski argued that each of the components and social institutions relate to each other within a system in which everyone has a role. As an example, he highlighted the characteristics of beliefs, customs, institutions, religions and rituals, among others. 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引用次数: 0

摘要

在古代希腊文化中,通常的故事是一个神话,指的是预示性的事件,通过打击,如神,半人半神,泰坦,偶像,巨人,怪物或幻想人物的存在。今天,在世界上的许多地方,它被认为是一个故事。在一种文化或群体中,神话是一套被认为是真实故事的教条体系,合在一起被称为神话,它与群体信仰有着直接的关系:神话的数量越多,神话的复杂性越高,支持他们世界观的群体信仰的发展就越大。作为词汇和概念,神话开始失去信誉,贬值,获得贬义,被松散地用作广泛但错误的谣言的同义词,当时哲学论文和科学解释出现了,是社会的知识。它以结构主义列维-施特劳斯人类学家的立场而闻名,1据此,神话包含不可调和的对立面,如创造与毁灭,生命与死亡,或与坏;它提供了这些极端的和解来驱除我们的意识。此外,帕克引用了功能主义人类学家马林诺夫斯基(Malinowski)的观点,即每个组成部分和社会制度都在一个每个人都有角色的系统中相互关联。作为一个例子,他强调了信仰、习俗、制度、宗教和仪式等方面的特点。从上述内容可以推断出,生活中没有任何实质性的方面与神话无关,因为这回答了人类存在的基本问题,即理性和存在于他周围的理性,以及其他问题。缺点是,这不是一个理性的解释。在大众层面上,神话起着解释性的作用,因为它解释、证明或发展了社会或个人生活的某些方面的原因;意义的功能,因为它给人一种安慰,让人放松;也是一个务实的角色,因为它是某些结构和国家行动的基础。这三种功能可能在社会政策领域同时发挥,就像在刑法领域会发生的那样。虽然神话、故事、传说和奇美拉具有相似的含义,但这些概念之间存在一些差异。例如,这个故事是一个平淡的病原学小说,而神话则是一个可信的,尽管情节复杂的故事。此外,与神话不同的是,传说发生在一个真实的历史时期,在某些地方,有真实的演员。反过来,想象的幻想被视为可能是不可行的。人们习惯从字面上解读神话,因为它是社会信仰的对象,其意义只能是想象和象征;然而,解释应该是在现实中确定日常生活中使用的东西,作为行为的强化,权威的论证等等;分析和定义现实中出现的对立或互补元素,以及它们之间的关系;原因是他臭名昭著的象征主义,充满了一种影响,指的是人类心理的典型内容。在这篇文章中,我打算从秘鲁的现实中考察刑法的神话特征、传奇犯罪学的起源和激进犯罪学的幻想性质,秘鲁的现实与犯罪学现实和拉丁美洲的罪犯保持相似之处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From the criminological legend to the criminological chimera
In Greek culture of antiquity the usual story was a myth referred to portentous events, by striking, such as gods, demigods, titans, idols, giants, monsters or fantasy characters beings. Today it is considered in much of the world, a story. Myths are, in a culture or community, a system of dogmas that are considered authentic stories and together is called mythology, which bears a direct relationship with community beliefs: A greater number of myths and greater complexity of a mythology, the greater the development of the beliefs of a community that supports their worldview. As word and concept, the myth began to lose credit and devalue to acquire a derogatory meaning, coming to be used loosely as a synonym shaped canard of widespread but false belief at the time that philosophical disquisitions and scientific elucidations appeared and were knowledge of the community. It is known to position estructuralista Levi-Strauss anthropologist,1 whereby, myth consist irreconcilable antipodes, such as creation against destruction, life against death, or against bad; and it provides the reconciliation of these extremes to exorcise our consciousness. Also, Parker2 refers to the functionalist anthropologist Malinowski argued that each of the components and social institutions relate to each other within a system in which everyone has a role. As an example, he highlighted the characteristics of beliefs, customs, institutions, religions and rituals, among others. From the foregoing it is possible to deduce that there is no substantial aspect of life that is alien to the myth, because this answers the basic questions of human existence, that is, reason and reason to exist around him, among others. The downside is that is not a rational explanation. At the popular level, the myth plays an explanatory role because it explains, justifies or develop the cause of some aspect of social or individual life; a function of meaning, because it gives a comfort that relieves individuals; and a pragmatic role since it is the basis of certain structures and state actions. It is possible that these three combined functions are played simultaneously in the social policy area, as will occur to criminal law. While the myth, the story, the legend and the chimera have similar meanings, there are some differences between these concepts. The story, for example, is a flat aetiological fiction, while the myth is presented as a credible albeit complicated plot story. Moreover, the legend, unlike the myth, takes place in a real, historical time, in certain places and with real actors. In turn, the chimera of the imagination is seen as something possible to be unworkable. It is customary to read the myth literally, being an object of social belief, which meaning cannot be other than an imaginary and symbolic; however, the interpretation should be to identify in reality what is used in everyday life, as reinforcement of behaviours, argument of authority, among other things; analyze and define the reality opposites or complementary elements that appear in it and how they appear related; and reason his notorious symbolism, filled with an impact that refers to archetypical content of the human psyche. In this essay, I intend to examine the mythical character of criminal law, the beginnings of legend criminology and chimerical nature of radical criminology from the Peruvian reality, which keeps similarity with the criminological reality and Latin American criminal.
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