“亲爱的未来丈夫”:年轻人在流行音乐视频中对性别和性行为的批判性探索

Elly Scrine
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引用次数: 3

摘要

本研究旨在探讨年轻人如何批判性地参与音乐视频,以探索性别和性的主导结构。作为流行音乐和音乐视频的主要消费者,青少年也是一个存在于独特社会文化空间的群体,在他们高度媒体驱动的生活中,厌女症和女权主义都存在。本研究采用焦点小组研讨会的方式,以高中生为对象,根据两个音乐视频中参与者对性别和性行为的讨论和解释,生成定性数据。7组年龄在14 - 16岁之间的年轻人分析了两个流行的音乐视频,并特别反映了对女性气质和女性性行为的期望。讨论对性别主体性进行了深刻的分析,提出了三个复杂而对立的主题,并对其进行了详细的探讨。数据中出现了一条连贯的线索,年轻人展示了他们识别霸权性别结构的能力,同时也依靠这些结构来解读和监督音乐视频中出现的女性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Dear Future Husband’: young people’s critical exploration of gender and sexuality in pop music videos
This study aimed to explore how young people can critically engage with music videos to explore dominant constructions of gender and sexuality. As the primary consumers of popular music and music videos, adolescents are also a group who exist in a unique sociocultural space, where both misogyny and feminism are present in their highly media-driven lives. This study used focus group workshops with young people in high school to generate qualitative data based on the participants’ discussion and interpretations of gender and sexuality in two music videos. Seven groups of young people aged 14 – 16 analysed two popular music videos and reflected particularly upon discourses of expected femininity and female sexuality. Discussion elucidated insightful analysis around gendered subjectivity, and presented three complex and opposing themes, which are explored in detail. A cohesive thread emerged in the data in which young people demonstrated their capacity to identify hegemonic gender constructs, while also relying on these constructs to read and police the women shown in the music videos.
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