回顾海洋群落

O. Heim
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引用次数: 0

摘要

本章将萨摩亚和夏威夷剧作家约翰·克纽布尔和维多利亚·纳拉尼·克纽布尔的戏剧作品与植根于传统上开放、流动和流动的空间意识的大洋洲社区意识联系起来,以探讨这种社区意识如何挑战占主导地位的政治认同,并赋予跨国、后殖民形式归属感的想象力。注意到记忆在维持社区意识方面的根本重要性,在保持人与土地的不可分割性的同时,在流动中蓬勃发展,本章检查了约翰·克纽布尔的《花园和其他戏剧》和维多利亚·克纽布尔的《夏威夷岛:岛屿戏剧》中进行的记忆工作,因为它激起了生活记忆的局限性,揭示了过去在现在的光谱生活,并提出了关于失去和记忆之间关系的问题。我认为,从不同的角度来看,这些戏剧可以被视为一种社区意识,这种社区意识似乎与国家框架下的社区主义思想截然相反,但却适合于岛屿海洋的跨国想象,从有限、差异和相互依存的角度重新想象谱系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Recalling Oceanic Communities
This chapter situates the dramatic work of Samoan and Hawaiian playwrights John Kneubuhl and Victoria Nalani Kneubuhl in relation to an Oceanian sense of community rooted in a customarily open, fluid, and mobile consciousness of space, in order to ask how such a community consciousness may challenge dominant political identifications and empower the imagination of transnational, postcolonial forms of belonging. Noting the fundamental importance of memory in sustaining a sense of community that thrives in mobility while maintaining the indivisibility of people and land, the chapter examines the memory work performed in John Kneubuhl’s Think of a Garden and Other Plays and Victoria Kneubuhl’s Hawai‘i Nei: Island Plays, as it stirs the limits of living memory, discloses the spectral life of the past in the present, and raises questions about the relationship between loss and remembrance. In different ways, I argue, these plays can be seen to enact a sense of community that seems radically opposed to communitarian thinking in a national frame but fitting to the transnational imagination of a sea of islands, reimagining genealogies in terms of finitude, difference, and interdependence.
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