罗拉,快跑吧,在后现代性的黎明

A. Lauer
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引用次数: 4

摘要

本文以黑泽明《罗生门》(1950)以来的超级电影或另类结局电影为例,表明这些电影和未来的电影将不可避免地呈现出多种结局,尽管它们不协调,但同时被接受。这种选择的多样性是网络提供的容易获得的资源以及超对称物理的最新进展的结果。此外,这些新发现,连同这些发现所产生的世界观,都与尼采关于永恒轮回的观点和印度哲学中最初设想的世界循环观有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Run Lola Run at the Dawn of Postmodernity
Using Run Lola Run as an example of hyper-filmic or alternative-ending movies that go back to Kurosawa's Rashomon (1950), this article suggests that these and future films will inevitably present multiple endings that are to be accepted simultaneously in spite of their incongruities. This multiplicity of options is the result of the easily available resources made possible by the Web, as well as the latest advances in supersymmetrical physics. Moreover, these new discoveries, taken together with the worldviews such discoveries engender, are connected with Nietzsche's ideas about eternal recurrence and to the cyclical vision of the world first envisioned in Hindu philosophy.
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