另一种类型的伊朗电影:伊朗妇女的面纱

Pune Parsafar
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引用次数: 0

摘要

我的长篇纪录片《揭开面纱的伊朗妇女》描绘了六位有影响力的伊朗妇女活动家的生活和斗争,她们现在流亡国外,从事许多领域的政治和社会活动。女性积极分子的选择是一种有意的尝试,以利用女性在电影中的权力表现,作为伊朗电影中占主导地位的父权和厌女主义描绘的两极。我的电影运用了一种特殊的视角,围绕一些关键主题在电影中表现女性,比如女性的身体、女性的声音、舞蹈、音乐和色彩的使用。我所采用的电影形式和设备,旨在让伊朗女性真实存在的、被赋予权力的形象浮现出来。这部电影旨在挑战主要在伊朗官方电影中对伊朗女性的主导父权制描绘,以及西方许多主流电影中普遍存在的文化相对主义表现。我的纪录片是这种反视角的应用,从现代、解放和女权主义的角度,为电影中表现女性、性别和性的新方式做出贡献。预告片和电影片段的放映已经在学术界引起了热烈的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A different kind of Iranian film: Iranian Women Unveiled
ABSTRACT My feature-length documentary, Iranian Women Unveiled, is a portrayal of the lives and struggles of six influential Iranian women activists, now living in exile, engaged in a number of areas of political and social activism. The choice of women activists was a deliberate attempt to leverage an empowered representation of women in cinema, as a polar opposite to the dominant patriarchal and misogynistic portrayals in Iranian cinema. My film applies a particular perspective in the representation of women in cinema around a number of key themes, such as women's bodies, women's voice, dance, music and use of colour. The cinematic forms and devices that I employ aim to allow an actually existing, empowered image of the Iranian women to emerge. The film aims to challenge the dominant patriarchal portrayals of Iranian women, primarily in Iran’s official cinema, but also the cultural-relativist representations prevalent in many mainstream films in the West. My documentary is an application of this counter-perspective, contributing to novel ways of representing women, gender and sexuality in cinema, from a modern, emancipatory and feminist perspective. The screenings of the trailer and episodes of the film have already generated lively discussions within the academic community.
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