S. Amaral, Mauro Antonio Guari, Wenceslao Machado de Oliveira Junior
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引用次数: 0
摘要
本文是基于儿童教育教师在坎皮纳斯- sp郊区学校进行短片蒙太奇的经验。这些经验表达了在Lugar-escola e cinema(地点-学校和电影)项目中发展的制图研究中出现的一条路径,并引导我们排练蒙太奇作为电影教育学无知校长的观点。文章首先指出,由于学校背景和电影制作方式的独特性,需要区分编辑和蒙太奇的概念。然后,它报告和反思个人和集体的电影创作过程,其中蒙太奇和剪辑在教师与电影制作人之间的谈判中以及在向电影学习和与电影学习中发挥着明显的作用。由于这些过程是多重的,因为它们是直观的,所以本文报告了直觉与技术知识结合的方式是如何导致某种蒙太奇的,在这种蒙太奇中,感官的传播和对观众的信心在我们在学校电影俱乐部制作-观看-谈论电影的经验中起着决定性的作用。
Coisas inventadas: montagem e edição em um cineclube escolar
The present article is based on the experience of child education teachers in montage of short films carried out in schools in the outskirts of Campinas-SP. These experiences express a path that emerged in the cartographic research developed in the project Lugar-escola e cinema (Place-school and cinema), and led us to rehearse the perspective of montage as ignorant schoolmaster of a pedagogy of cinema. The article begins by indicating the need to distinguish the concepts of editing and montage, due to the singularities of the school context and the way cinema is produced there. Then, it reports and reflects on processes of individual and collective film creation, where montage and editing act distinctly in negotiations between teachers-filmmakers and in learning from and with cinema. Since these processes are as multiple as they are intuitive, the article reports in what way intuition combined with technical knowledge led to a certain type of montage, where the spread of senses and confidence in the viewer play a decisive role in our experience of making-seeing-talking about films in a school cine club.