摘自《信使报》第5期(1923年12月)《这些‘有色人种的美国’第八篇——伊利诺斯州:移民暴民的圣地》

Charles S. Johnson
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引用次数: 0

摘要

编者按:在我们的第二篇文学选集——查尔斯·s·约翰逊1923年的文章《伊利诺斯:移民暴徒的麦加》——中,著名社会学家对黑人大都市的巩固和发展进行了全面的描述。这篇文章,就像许多来自芝加哥的历史、社会学和新闻写作作品一样,对芝加哥早期非裔美国人文学作品的特点——事实文学做出了贡献。约翰逊关于黑人知识分子和文化生活匮乏的断言在当前的书中受到了挑战,同样重要的是要注意到他在分析“这个有色人种的芝加哥——梦想的城市——可怕的夜晚的城市!”时采用的文体策略。他优雅、高调的散文运用隐喻和其他文学手段,以小说的选择性和节奏排列事实。以这种方式,约翰逊的文章展望了小说和社会学写作的相互渗透,这将标志着芝加哥黑人文艺复兴时期许多最著名的作品....
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From “These ‘Colored United States,’ VIII—Illinois: Mecca of the Migrant Mob,” The Messenger 5 (December 1923)
Editors’ Note: In our second literary selection—excerpts from Charles S. Johnson’s 1923 essay “Illinois: Mecca of the Migrant Mob”—the famed sociologist renders a broad-stroke account of consolidation and growth of the Black Metropolis. This essay, like many pieces of historical, sociological, and journalistic writing emanating from Chicago contributed to a literature of fact that was characteristic of early African American literary work in the city. While Johnson’s assertions about the paucity of black intellectual and cultural life are challenged throughout the current volume, equally important to note is the stylistic strategy with which he presents his analysis of “this Colored Chicago—the dream city—city of the dreadful night!” His elegant, high-keyed prose employs metaphor and other literary devices and arrays facts with novelistic selectivity and pacing. In this manner, Johnson’s essay looks ahead to a mutually beneficial interpenetration of fiction and sociological writing that would mark many of the most notable works of the Black Chicago Renaissance....
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