Arma Tanović Branković
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引用次数: 0

摘要

本文的主要目的是研究波黑社会社区应用戏剧的潜在可能性。应用戏剧项目可以产生一系列的影响:快乐的时刻,不断增长的认同感和情感幸福感,以提高对社区社会状况的认识。应用戏剧是针对个人谁不是所有年龄的戏剧专业人士,但由专业人士领导,因为,利用在表演艺术学院学习的表演/戏剧的基本特征,如:行动,情况,性格,冲突的关系有助于识别参与者的一个特定目标群体的焦点问题,并导致沟通的问题,并发挥不同的潜在解决冲突的方法。应用戏剧是一种互动的戏剧形式,它寻求参与的观众,而不是被动的观察者,并使戏剧去制度化,并导致观众主要不是戏剧。波黑在教学和教育工作中实验性和偶尔使用的应用戏剧形式大多得到非政府部门的支持,但没有与其他大学单位进行战略接触和发展专业学术人员、毕业生、导演、剧作家和编曲。本文还将介绍不同形式/类型/风格的应用戏剧,以及纪录片和纪录片的特点和不同美学的可能性,以及形式和方法之间的协同作用。本文将分析实践经验,并提出科学研究和艺术研究的平台,致力于戏剧作为一种治疗方法,作为一种旨在纠正社会变革的动力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PRIMIJENJENI TEATAR U BOSNI I HERCEGOVINI STRATEŠKI RAZVOJ I PRIMJENA U DRUŠTVENOJ ZAJEDNICI / APPLIED THEATER IN BOSNIA AND HERZEGOVINA STRATEGIC DEVELOPMENT AND APPLICATION IN THE SOCIAL COMMUNITY
The primary goal of this paper is to examine the potential possibilities of applied theater in the social community in BiH. Applied theater projects can create a range of impacts: moments of happiness, a growing sense of recognition and emotional well-being to increased awareness of the social situation in the community. Applied theater is aimed at an individual who is not a theater professional of all ages, but is led by professionals, because, using the basic features of acting / drama studied at the Academy of Performing Arts, such as: action, situation, character, conflicted the relationship helps to identify participants with a focused problem of a specific target group and leads to communication about the problem and playing different potential solutions to the conflict. Applied theater is an interactive theatrical form that seeks an engaged spectator, not a passive observer, and deinstitutionalizes theater and leads to an audience that is not primarily theatrical. Forms of applied theater that are used experimentally and occasionally in pedagogical and educational work in BiH are mostly supported by the non-governmental sector, but there is no strategic engagement and development of professional academic staff, graduates, directors, playwrights and orchestrations with other university units. The paper will also present different forms / types / styles of applied theater, as well as documentary and documentary character and the possibility of different aesthetics, but also the synergy between forms and methodologies. The paper will analyze practical experiences and suggest platforms for scientific research and artistic research dedicated to drama as therapy as a dynamic force aimed at correcting social change.
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