在综合历史和第一人称历史之间:从内部书写大屠杀

O. Bartov
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引用次数: 0

摘要

本文对索尔Friedländer在其1997年至2007年间出版的巨著《纳粹德国与犹太人》中所阐述和实践的撰写大屠杀综合历史的想法,以及我自己在《种族灭绝的解剖:一个名为布扎奇的小镇的生死》(2018)中以第一人称描述一个加利西亚小镇的历史和毁灭的尝试之间的联系进行了一些反思。我认为,这两种方法都与个人和间接的传记经历密切相关,在Friedländer广受好评的1978年回忆录《当记忆来袭》中雄辩地表达了这一点,并构成了我最近研究的主干,《来自边疆的故事:创造和毁灭加利西亚的过去》(2022),该书以第一人称的方式研究了该地区在世界大战爆发前几个世纪的历史。我认为,这些作品强调了理解创伤性历史事件的重要性,既要通过对原因、事件和后果的传统分析,也要通过那些遭受历史愤怒的人的经历。换句话说,这篇文章强调了不仅要从上面看事件,还要从下面看事件;不仅来自中心,也来自边缘;不仅要有超然,还要有同理心;并不是严格地从事件的外部,而是从事件的内部:也就是说,像普里莫·列维所写的那样,尽可能直接地看着蛇发女怪的脸,通过它在保护我们免受自我毁灭的盾牌中的反射。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Integrated and First-Person History: Writing the Holocaust from Within
ABSTRACT This essay offers some reflections on the links between Saul Friedländer’s notion of writing an integrated history of the Holocaust, as articulated and practiced in his magnum opus, Nazi Germany and the Jews, published between 1997 and 2007, and my own attempt to write a first-person account of the history and destruction of a single Galician town in Anatomy of a Genocide: The Life and Death of a Town Called Buczacz (2018). Both approaches, I suggest, are intimately linked to personal and vicarious biographical experiences, eloquently expressed in Friedländer’s acclaimed 1978 memoir, When Memory Comes, and forming the backbone of my recent study, Tales from the Borderlands: Making and Unmaking the Galician Past (2022), which applies a first-person approach to the history of the region in the centuries preceding the violence of the world wars. Such works, I argue, highlight the importance of understanding traumatic historical events both by way of conventional analyses of causes, events, and consequences, and as experienced by those subjected to history’s fury. In other words, this article stressed the need to view the event not only from above, but also from below; not just from the center, but also from the margins; not merely with detachment, but also with empathy; and not strictly from without the event, but also from within: that is, looking as directly as one can at the face of the Gorgon, as Primo Levi has written, through its reflection in the shield that protects us from self-annihilation.
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