数字结构

Katherine Thomson-Jones
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引用次数: 0

摘要

在本章中,我将考虑数字图像是否在最强烈的意义上是数字的;也就是qua images。假设数字图像是以数字方式制作和筛选的图像,那么还有一个问题,即图像所属的表示方案是否具有基本的数字结构。要回答这个问题,需要仔细分析纳尔逊·古德曼(Nelson Goodman)关于模拟/数字区别的经典论述。它还需要对古德曼坚持的绘画本质上的相似性做出回应。这样的响应指向数字采样和量化技术的使用,将数字结构强加于编码的、可复制的图像上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Digital Structure
In this chapter, I consider whether digital images are digital in the strongest sense; namely, qua images. Assuming that a digital image is one that is made and screened digitally, there is a further question as to whether the representational scheme to which the image belongs has a fundamentally digital structure. Answering this question requires close analysis of Nelson Goodman’s classical account of the analog/digital distinction. It also requires a response to Goodman’s insistence on the essential analogicity of the pictorial. Such a response points to the uses of digital sampling and quantization technology to impose digital structure on encoded, replicable images.
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