{"title":"不可读:文本元素的图形面","authors":"M. Jerrentrup","doi":"10.1080/25741136.2022.2039995","DOIUrl":null,"url":null,"abstract":"ABSTRACT Media design knows various ways to combine text and pictorial elements in layouts. This article looks at photographs that are combined with hard-to-read text elements and investigates, whether these text elements are seen as disturbing or confusing or should rather be understood as visual elements similar to meaningful props. Qualitative interviews and a survey were conducted showing the test persons several layouts with and without hard-to-read text elements and asking for their impressions and evaluation on various dimensions such as ‘boring-interesting’, ‘old-fashioned-modern’, and ‘clear-confusing’. It becomes obvious that the Gestalt theory’s fundamental assumption ‘the whole is more than the parts’ also applies in this context, even though these pictures actually violate Gestalt-rules: layouts with hard-to-read text elements were not only perceived as more interesting, but also the literal meaning of the text played a subordinate role compared to the associations evoked by their look.","PeriodicalId":206409,"journal":{"name":"Media Practice and Education","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Unreadable: the pictorial side of text elements\",\"authors\":\"M. Jerrentrup\",\"doi\":\"10.1080/25741136.2022.2039995\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Media design knows various ways to combine text and pictorial elements in layouts. This article looks at photographs that are combined with hard-to-read text elements and investigates, whether these text elements are seen as disturbing or confusing or should rather be understood as visual elements similar to meaningful props. Qualitative interviews and a survey were conducted showing the test persons several layouts with and without hard-to-read text elements and asking for their impressions and evaluation on various dimensions such as ‘boring-interesting’, ‘old-fashioned-modern’, and ‘clear-confusing’. It becomes obvious that the Gestalt theory’s fundamental assumption ‘the whole is more than the parts’ also applies in this context, even though these pictures actually violate Gestalt-rules: layouts with hard-to-read text elements were not only perceived as more interesting, but also the literal meaning of the text played a subordinate role compared to the associations evoked by their look.\",\"PeriodicalId\":206409,\"journal\":{\"name\":\"Media Practice and Education\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media Practice and Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/25741136.2022.2039995\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media Practice and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/25741136.2022.2039995","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ABSTRACT Media design knows various ways to combine text and pictorial elements in layouts. This article looks at photographs that are combined with hard-to-read text elements and investigates, whether these text elements are seen as disturbing or confusing or should rather be understood as visual elements similar to meaningful props. Qualitative interviews and a survey were conducted showing the test persons several layouts with and without hard-to-read text elements and asking for their impressions and evaluation on various dimensions such as ‘boring-interesting’, ‘old-fashioned-modern’, and ‘clear-confusing’. It becomes obvious that the Gestalt theory’s fundamental assumption ‘the whole is more than the parts’ also applies in this context, even though these pictures actually violate Gestalt-rules: layouts with hard-to-read text elements were not only perceived as more interesting, but also the literal meaning of the text played a subordinate role compared to the associations evoked by their look.