{"title":"现代爵士乐","authors":"T. Gioia","doi":"10.1093/oso/9780190087210.003.0006","DOIUrl":null,"url":null,"abstract":"The rise of modern jazz—or “bebop” as it was called—dramatically changed the landscape of the music in the 1940s, transforming the genre into a truly progressive and experimental idiom. But this came at a cost, marking a shift from jazz’s predominance as a popular music, and turning it into an art music addressing a much smaller audience. This chapter looks at the innovations of the leading bebop musicians, especially Charlie Parker, Dizzy Gillespie, and Thelonious Monk. Other artists addressed include Bud Powell, Lennie Tristano, Sarah Vaughan, and Dave Brubeck. The chapter concludes with an assessment of big band jazz during the post–World War II era, including the work of Woody Herman and Stan Kenton.","PeriodicalId":418355,"journal":{"name":"The History of Jazz","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Modern Jazz\",\"authors\":\"T. Gioia\",\"doi\":\"10.1093/oso/9780190087210.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The rise of modern jazz—or “bebop” as it was called—dramatically changed the landscape of the music in the 1940s, transforming the genre into a truly progressive and experimental idiom. But this came at a cost, marking a shift from jazz’s predominance as a popular music, and turning it into an art music addressing a much smaller audience. This chapter looks at the innovations of the leading bebop musicians, especially Charlie Parker, Dizzy Gillespie, and Thelonious Monk. Other artists addressed include Bud Powell, Lennie Tristano, Sarah Vaughan, and Dave Brubeck. The chapter concludes with an assessment of big band jazz during the post–World War II era, including the work of Woody Herman and Stan Kenton.\",\"PeriodicalId\":418355,\"journal\":{\"name\":\"The History of Jazz\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The History of Jazz\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190087210.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The History of Jazz","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190087210.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The rise of modern jazz—or “bebop” as it was called—dramatically changed the landscape of the music in the 1940s, transforming the genre into a truly progressive and experimental idiom. But this came at a cost, marking a shift from jazz’s predominance as a popular music, and turning it into an art music addressing a much smaller audience. This chapter looks at the innovations of the leading bebop musicians, especially Charlie Parker, Dizzy Gillespie, and Thelonious Monk. Other artists addressed include Bud Powell, Lennie Tristano, Sarah Vaughan, and Dave Brubeck. The chapter concludes with an assessment of big band jazz during the post–World War II era, including the work of Woody Herman and Stan Kenton.
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