当代前卫电影的中间性:戈达尔电影中媒介边界的模糊

Digital Age in Semiotics & Communication Pub Date : 2022-12-30 DOI:10.33919/dasc.22.5.2

Loukia Kostopoulou

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摘要

借鉴先锋派电影的前提(实验、转换、阈限)，本文试图研究中间性如何在当代先锋派电影中作为一种实验形式发挥作用。它也带来了关于媒介的性质和对观众的影响的新见解。例子将来自让-吕克·戈达尔的电影名字:卡门》(1983)和电影Socialisme(2010)。

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Intermediality in contemporary avant-garde cinema: Blurring media boundaries in Jean-Luc Godard’s films

Drawing on the premises of avant-garde cinema (experimentation, transformation, liminality), this paper seeks to examine how intermediality functions as a form of experimentation in contemporary avant-garde cinema. It also bring new insights regarding the nature of the medium and the impact on the spectator. Examples will be drawn from Jean-Luc Godard’s films First Name: Carmen (1983) and Film Socialisme (2010).

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Digital Age in Semiotics & Communication

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