{"title":"文学游客和士兵英雄","authors":"C. Lamont","doi":"10.3366/edinburgh/9781474443272.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter looks at the image of Glasgow via the late-Georgian, or Romantic-era, infatuation with literary and military figures. Building on the seminal work of Nicola Watson (Literary Tourism) and Graham Dawson (Soldier Heroes), Glasgow is shown to have fashioned itself as a centre of the British Empire.","PeriodicalId":278022,"journal":{"name":"The Cultural Memory of Georgian Glasgow","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Literary Tourists and Soldier Heroes\",\"authors\":\"C. Lamont\",\"doi\":\"10.3366/edinburgh/9781474443272.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter looks at the image of Glasgow via the late-Georgian, or Romantic-era, infatuation with literary and military figures. Building on the seminal work of Nicola Watson (Literary Tourism) and Graham Dawson (Soldier Heroes), Glasgow is shown to have fashioned itself as a centre of the British Empire.\",\"PeriodicalId\":278022,\"journal\":{\"name\":\"The Cultural Memory of Georgian Glasgow\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Cultural Memory of Georgian Glasgow\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474443272.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Cultural Memory of Georgian Glasgow","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474443272.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter looks at the image of Glasgow via the late-Georgian, or Romantic-era, infatuation with literary and military figures. Building on the seminal work of Nicola Watson (Literary Tourism) and Graham Dawson (Soldier Heroes), Glasgow is shown to have fashioned itself as a centre of the British Empire.