大教堂与小镇

M. Grau
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摘要

特隆赫姆的尼达罗斯大教堂是圣奥拉夫的历史安息之地,也是挪威许多朝圣之路的终点。大教堂的历史与城市和该地区的历史相交,具有重要的经济和宗教意义。圣奥拉夫的文物在整个城市的运动与城市和国家的城市和宗教文化发展相匹配。本章探讨了大教堂的建筑和使用,以及当代空间如何促进仪式创意,并成为接待和欢迎朝圣者的一部分。与其他接待中心一起,大教堂作为特隆赫姆游客和朝圣者的主要吸引点,作为一个具有多种用途的适应性空间,显得特别大。一年一度的St. olavfest是一个为期十天的节日,从圣徒日开始,以礼拜仪式、音乐会、戏剧、讲座、中世纪市场和电视小组讨论为特色,让城市和地区参与当地历史和文化的庆祝活动。节日期间讨论的主题包括对Sámi原住民的殖民压迫、维京国王圣奥拉夫的暴力遗产、宗教和其他形式的歧视、社会不公正以及国际团结等争议性话题。因此,新教的“抗议”反映在对历史的批判性参与以及挪威基督教历史和遗产的仪式化的持续发展中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cathedral and Town
Nidaros Cathedral in Trondheim is the historical resting place of St. Olav and an end point of many of the pilgrimage trails in Norway. The history of the cathedral intersects with the history of the city and the region as one of significant economic and religious significance. The movement of St. Olav’s relics throughout the city matches urban and religiocultural development of city and nation. This chapter explores the cathedral’s architecture and use and how contemporary engagements with the space facilitate ritual creativity and are part of the hosting and welcoming of pilgrims. Along with other centers of hospitality, the cathedral looms especially large as a main attraction point for both tourists and pilgrims in Trondheim, as an adaptable space for many purposes. The annual St. Olavsfest is a ten-day festival that begins with the saint’s day and features liturgies, concerts, plays, lectures, a medieval market, and televised panel discussions to involve city and region in the celebration of local history and culture. Controversial topics such as the colonial repression of Sámi indigenous peoples, the violent heritage of Viking king St. Olav, religious and other forms of discrimination, social injustice, and international solidarity are among the themes discussed during the festival. Thus, the “protest” in Protestantism is reflected in a critical engagement with history and with the ongoing development of the ritualization of Christian history and heritage in Norway.
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