回顾知识产权与人类发展:当前趋势和未来情景,黄振和格雷厄姆·杜菲尔德主编。

S. Zaharia
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引用次数: 0

摘要

知识产权(IP)是创造性发明的“一束权利”,从功利主义经济学的角度来看,它长期以来一直被认为是一种激励创造者并导致社会净效益最大化的制度。《知识产权与人类发展》直面这一经常被重复的经济论点,鼓励读者以更广阔的视角,超越原始产品产出,关注社会福祉的其他指标,包括这种产出的分配不平等,以及发达国家和发展中国家之间不平等的竞争环境最后,《知识产权与人类发展》敦促读者确定当前框架下的知识产权如何在我们全球化的二十一世纪世界中进一步促进基本人权。这本书编织了一个共同的主题,知识产权(知识产权)和人类发展之间的相互作用贯穿其九个专题章节,其中涉及知识产权和人类发展的各个方面之间的关系。这些章节共同涵盖了广泛的重要和引人入胜的主题:从获得拯救生命的药物到农民重新播种的能力;从土著人民对其传统医药和文化表现形式的权利到版权对发展中国家教育的影响;从信息获取的增加到IP与当代艺术之间的相互作用。这本书是在福特基金会资助的公共利益知识产权顾问(PIIPA)的支持下进行的一项综合研究的结果。十几位作者来自多个国家和大洲,拥有广泛的专业知识。该书的编辑之一、该研究的总编辑黄增(Tzen Wong)是一名研究人员
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Review of Intellectual Property and Human Development: Current Trends and Future Scenarios by Tzen Wong and Graham Dutfield (Eds.)
Intellectual property (IP), a “bundle of rights” to creative inventions of the mind, has long been justified in terms of utilitarian economics as a system that incentivizes creators and leads to maximum societal net benefit. Intellectual Property and Human Development confronts this oft-repeated economic argument head on, by encouraging the reader to take a broader perspective and to look beyond raw product output to other indicia of social well-being, including distributional inequalities of such output, and the unequal playing field between developed and developing countries.1 Ultimately, Intellectual Property and Human Development urges readers to ascertain how IP rights in the current framework further fundamental human rights in our globalized, twenty-first century world. The book weaves a common theme of the interplay between IP rights (IPRs) and human development throughout its nine topical chapters, which deal with the relationship between IPRs and various facets of human development. Together, the chapters cover a wide range of significant and engaging topics: from access to life-saving medicines to farmers’ ability to replant seeds; from indigenous people’s rights to their traditional medicines and cultural expressions to the impact of copyright in education in developing countries; from increased access to information to the interplay between IP and contemporary art. The book emerged as a result of a comprehensive research study under the aegis of the Public Interest Intellectual Property Advisors (PIIPA), funded by the Ford Foundation. The more than a dozen authors hail from a number of countries and continents and have a broad range of expertise. One of the editors of the book and the managing editor of the study, Tzen Wong, is a researcher
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