《圣经》在诺莱坞电影中的地位:符号学视角

F. Endong
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引用次数: 1

摘要

许多诺莱坞基督教电影都利用了尼日利亚和基督教界普遍存在的多种神话和特质。其中一些神话和特质围绕着《圣经》的神奇力量,特别是《圣经》能够中和或阻止超自然和撒旦实体的设计。与这样的基督教神话相一致,许多诺莱坞基督教题材的电影运用了各种各样的人工制品、符号和特效的类型学,将圣经表现为一个不仅仅是圣经的载体和上帝的声音的物体。本文关注的是诺莱坞电影制作中使用的不同指示性和象征性符号,以代表圣经作为一种恋物或遗物。通过对二手资料和相关电影的批判性回顾,以及符号学,本文确定了视觉和声音效果的使用是诺莱坞电影导演用来自然化和普及圣经拜物教信仰的程序之一。这些电影导演常用的特效包括辐射圣经、打开圣经的书页发出耀眼的光、炽热的火焰或流星般的能量,牧师用这些来反击撒旦势力的攻击或解救遇险的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Bible as Relic, Fetish or Talisman in Nollywood Films: A Semiotic Perspective
Many Nollywood Christian films tap into a plurality of myths and idiosyncrasies prevailing in Nigeria in particular and the Christendom in general. Some of these myths and idiosyncrasies revolve around the perceived magical powers of the Bible, particularly the Holy Book’s ability to neutralize or prevent the designs of paranormal and satanic entities. In line with such Christian myths, many Nollywood Christianity-based films deploy various typologies of artifacts, signs and special effects to represent the Bible as an object which is more than a mere carrier of holy scriptures and the voice of God. In this paper, attention is given to the different indexical and symbolic signs used in Nollywood filmic productions to represent the Bible as a fetish or a relic. Using a critical review of secondary sources and relevant films, as well as semiotics, the paper identifies the use of visual and sound effects as one of the procedures deployed by Nollywood film directors to naturalize and popularize fetishist beliefs about the Bible. The effects popularly used by these film directors include radiating bibles, open pages of the Bible that generate dazzling light, ardent fire or meteoric energy with which pastors counter the attacks to satanic forces or deliver people in distress.
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