“有现代主义。然后是数字化:肯尼斯·戈德史密斯和文学的更新

Karin Nygård
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引用次数: 1

摘要

自从现代媒体取代了文学在文化中的中心地位以来,文学作为一种过时的形式,与自己的时代不同步的概念一直是一个熟悉的概念。这篇文章阐述了诗人肯尼斯·戈德史密斯(Kenneth Goldsmith)将文学与当代媒体文化同步的雄心壮志,并将他的作品与“更新的文学”的观点结合起来,这是一种“超越文本”的文学。根据弗里德里希·基特勒(Friedrich Kittler)的理论观点和更广泛的媒介考古学领域,文章假设文学转向当代网络文化的广义“信息环境”,并与现代主义的媒介专一性观念相背离。尽管戈德史密斯和基特勒的挑衅行为之前受到了很多关注;在寻求以一种坚定的方式将他们聚集在一起的过程中,本文也超越了他们方法的限制,重新思考文学在我们这个网络时代的可疑独特性问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘There Was Modernism. Then There Was Digital:’ Kenneth Goldsmith and the Updating of Literature
The notion of literature as an obsolete form, out of sync with its own time, has been a familiar one ever since modern media displaced the literary from its previous centrality in culture. Expounding on poet Kenneth Goldsmith’s express ambitions of bringing literature up to date with contemporary media culture, this article engages the larger stakes of his work with a view to an ‘updated literature’ – a literature, as it is here considered, 'beyond textuality.' Informed by the theoretical perspectives of Friedrich Kittler and the broader field of media archeology, the article posits literature’s turn toward the generalized ‘informational milieu’ of contemporary network culture and its concomitant break with modernist notions of medium specificity. Although the provocations of both Goldsmith and Kittler have received much previous attention; in seeking here to bring them together in a committed way, this article also moves beyond the limits of their approaches to rethink the problem of literature’s dubious distinctness in our age of networks.
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