从感觉小说到冒险小说的跨帝国谈判与文化焦虑

Robert McParland
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引用次数: 0

摘要

19世纪60年代的感觉小说表达了时代的焦虑,挑战了现实主义,并试图重振奇迹。在现代性的转变中,这些小说在整个大英帝国被阅读和交换。感觉小说混合了浪漫主义和现实主义,它的耸人听闻的元素反映了现代的紧张和担忧。玛丽·伊丽莎白·布莱登的《奥德利夫人的秘密》探讨了暴力的根源,理智的文化衡量标准,并强调了一个受压迫的女性形象在寻求自由的过程中所犯的过错。威尔基·柯林斯(Wilkie Collins)的《白衣女人》(Woman in White)同样挑战了文化的确定性,因为他观察到流行读者的不断扩大。冒险故事在帝国殖民设计中的兴起表达了一种神秘感和与异类的相遇,这在这里受到了质疑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transimperial Negotiations and Cultural Anxieties from the Sensation Novel to the Adventure Story
The sensation novels of the 1860s expressed the anxieties of the age, challenged realism, and sought to revive wonder. Within the transformations of modernity, these novels were read and exchanged across the British Empire. Sensation fiction mixed romance and realism and its sensational elements reflected modern tensions and concerns. Mary Elizabeth Braddon’s Lady Audley’s Secret probed the sources of violence, the cultural measures of sanity, and underscored the transgressions of an oppressed female figure in her search for freedom. Wilkie Collins’s Woman in White likewise challenged cultural certainties, as he observed the expanding popular reading audience. The rise of the adventure story within the imperial designs of colonization expressed a sense of mystery and an encounter with otherness that is interrogated here.
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