用类型和灵活模块作曲:约翰·威廉姆斯的《大白鲨》二音固定音及其在电影音乐史上的应用

P. Moormann
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引用次数: 3

摘要

约翰·威廉姆斯创作了一百多部电影配乐,是世界上最成功的电影作曲家之一。在他漫长的职业生涯中,威廉姆斯(生于1932年)几乎为从科幻小说到喜剧的各种类型谱写过音乐。问题来了:他是如何如此迅速地创造出高度分化的分数的?一个答案在于他的组成系统,即他像构建积木一样开发的即兴片段和母题——根据手头的具体情况,每部电影的基本模式都是不同的和改编的。这些积木可以追溯到最初形成于19世纪的音乐习语,随后被改编为无声电影和有声电影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History
Creator of more than one hundred film scores, John Williams is one of the world’s most successful film composers. In his long career, Williams (b. 1932) has written music for practically every genre from science fiction to comedy. The question arises: how does he create his highly differentiated scores so quickly? One answer lies in his componential system of riffs and motifs he develops like building blocks—basic patterns that are varied and adapted from film to film, depending upon the specific situation at hand. These building blocks can be traced back to musical idioms originally formed in the nineteenth century, subsequently adapted for silent films and then for talkies.
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