谁是NIME中的女性作者?-改善新经济环境研究中的性别平衡

Anna Xambó
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引用次数: 18

摘要

近年来,人们越来越意识到女性在声音和音乐计算领域的代表性不足。音乐表达新界面(NIME)会议也不例外,围绕这个问题仍有许多悬而未决的问题。在本文中,我们研究了自2001年会议开始到2017年,NIME中女性作者的存在和演变。我们通过总结一些世界范围内的举措所采取的行动来讨论这种性别不平衡的结果和潜在的解决方案,这些举措努力使女性的工作在我们的领域可见,特别强调女性在音乐技术(WiMT),一个以学生为主导的组织,旨在鼓励更多的女性加入音乐技术,作为一个案例研究。最后,我们希望通过介绍WiNIME来改善女性在NIME中的代表性,WiNIME是一个公共在线数据库,详细介绍了NIME中的女性作者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Who Are the Women Authors in NIME?-Improving Gender Balance in NIME Research
In recent years, there has been an increase in awareness of the underrepresentation of women in the sound and music computing fields. The New Interfaces for Musical Expression (NIME) conference is not an exception, with a number of open questions remaining around the issue. In the present paper, we study the presence and evolution over time of women authors in NIME since the beginning of the conference in 2001 until 2017. We discuss the results of such a gender imbalance and potential solutions by summarizing the actions taken by a number of worldwide initiatives that have put an effort into making women’s work visible in our field, with a particular emphasis on Women in Music Tech (WiMT), a student-led organization that aims to encourage more women to join music technology, as a case study. We conclude with a hope for an improvement in the representation of women in NIME by presenting WiNIME, a public online database that details who are the women authors in NIME.
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