通过反生命来证明生命

Zachary J. A. Rondinelli
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引用次数: 0

摘要

汤姆·金和米奇·杰拉兹的《奇迹先生》(2017)迅速成为近年来最具哲学内涵的超级英雄漫画之一,它与经典的主角和配角形象大相径庭。《奇迹先生》是一部复杂的家庭剧,它要求读者努力解决“真实”与“想象”之间模糊的界限,以及“真”与“假”之间的界限。通过运用让·鲍德里亚的《拟像与模拟》(1981)的理论框架,可以揭示出对“奇迹先生”的虚假现实的混淆是一种复杂的拟像,它利用(反)模拟和超现实的元素作为一种控制手段来对抗“奇迹先生”/斯科特·弗里,从而从他手中挣脱对自己“生活”的控制。然而,最终,很明显,这种企图劫持和削弱奇迹先生幸福生活的潜力的结果与预期的效果相反,相反,创造了一个矛盾的死亡,无意中通过另一种反生命来验证生命的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Proof of Life Through Anti-Life
Tom King & Mitch Gerads' Mister Miracle (2017) has quickly become one of the most philosophically sophisticated superhero comics in recent memory, one that substantially departs from the classic representation of the title character and his supporting cast. A complex family drama, Mister Miracle asks the reader to grapple with questions that blur the lines between the "real" and the "imaginary", as well as what is "true" and "false". By applying the theoretical frameworks of Jean Baudrillard’s Simulacra and Simulation (1981), the obfusctation of Mister Miracle’s false reality can be revealed as a sophisticated simulacrum that utilizes (dis)simulation and elements of hyperreality as a means of control against Mister Miracle/Scott Free in order to wrench from him control of his “life”. Ultimately though, it becomes clear that this attempt to hijack and diminish Mister Miracle’s potential for a happy life results in the opposite of its intended effect, creating instead a paradoxical death that unintentionally validates the value of life through an alternate anti-life.
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