中国民间传统剪纸艺术在现代社会的研究特点

Yan Xiulan, Y. Xiaoyan
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The traditional art of paper cutting as a symbol of national culture and national art, exploring its characteristics in contemporary research is to outline its historical development, and the realization of a strong witness of the overall understanding. Traditional paper-cutting is the inheritance of unique expressions and values generated by Chinese people in understanding the natural environment and social life, and contains ancient historical and cultural connotations. The traditional paper cutting is the unique expression and value of our people's understanding of the natural environment and social life. It contains the ancient historical and cultural connotation. Traditional paper cutting is the most common and active art form in folk life. It is an extremely important part of folk art and a basic expression of the survival and inheritance of folk culture, and embodies the feelings, desires, and aspirations of the masses. Paper-cutting is not only a materialized art symbol, but also a symbol of folk culture. Paper-cutting is a kind of folk art form which is closely related to the life of local people in the long-term development of the agricultural society. From the perspective of semiotics, we have re-recognized the art of paper-cutting, and studied the connotation of paper-cutting folk symbols from a deeper level. Now we have re-recognized its development and research characteristics in modern society, and can better inherit the development tradition culture. 1. The original exploration of the traditional art of paper cutting In the \"Study on folk art of paper cutting in Northern Shaanxi\",Han Liang elaborated the background of the formation,folk resources,stylized artistic features,and cultural skills of folk art of paper cutting,which is the key to interpreting its vision of cultural heritage and local art.Under the influence of primitive culture,primitive philosophy,geographical environment,religious belief and other multicultural factors,the folk art of paper cutting has formed a unified emotional value 2019 International Conference on Arts, Management, Education and Innovation (ICAMEI 2019) Published by CSP © 2019 the Authors 1039 orientation and unique artistic language features.As to the background of the formation of paper cutting,he pursued the source of the paper,thinking that it is the result of the remains of mysterious primitive culture,the amalgamation of traditional original culture,the intersection of farming and grassland ecological culture,as well as the result of the blending of various cultures and religions.If we want to study the native civilization tradition,we must excavate its original culture and the artistic characteristic.This has the unique cultural significance and the historical value to our research. In the Spring and Autumn Period and the Warring States Period to the Qin and Han Dynasties, there were \"cut-out\" art form,mainly in the form of decals,Sheng,openwork,which is what scholars call \"non-paper cuts.With the improvement of paper-making,paper cutting gradually became popular. From the historical development process,the Tang Dynasty paper-cutting was the most prosperous, and it was already in a period of great development.In Du Fu's poems,there were sentences of “warm water washes my feet,and paper-cutting calls my soul”.The custom of cutting paper and screaming souls has been passed down to the people.Tang Dynasty paper-cutting now housed in the British Museum demonstrate that the art of paper-cutting was already at an advanced level. The complete composition of the picture expresses an ideal state of heaven and earth.Popular in the Tang Dynasty,its scented wood pattern has the characteristics of paper-cutting,such as the “pairs of sheep”,the sheep pattern is a typical expression of the art of paper-cut techniques.Tang folk there were also appeared stencil printing plates made by paper-cutting.People used thick paper to sculpt into a flower plate,and the dye was printed on the cloth to form a beautiful pattern.In short,paper-cutting emerged in the Han Dynasty, prevailed in the Tang and song dynasties.In Ming and Qing Dynasties,the art paper cutting began to enter the court,mainly for the rich pattern,meaning and use more widely.Well-preserved and continued to today.This allows us to see the outline of paper-cutting development. 2. The research performance of traditional folk art of paper cutting in contemporary society Chinese traditional art of paper cutting is a rich intangible cultural heritage,which not only displays the ancient charm of Chinese culture,but also greatly enriches the accumulation of Chinese ancient culture.The Chinese traditional art of paper cutting is standing in the treasure house of the world's culture and art,and is a great contribution to the folk art of the world.According to statistics,China's existing thirty ethnic groups have paper-cutting-related customs and traditions.The scope of the long history is rare,and it can be seen that the art of paper cutting has an important position and indelible vitality in people's lives.The traditional art of paper cutting as a symbol of national culture and national art,in contemporary research as follows: To the Hownet for example,if you search \"paper-cutting\",there are a total of 6879 results.Among them,there are 1553 folk paper-cuts,1279 the art of paper cutting,696 paper-cutting works,522 People's Republic of China,467 folk crafts,460 folk art,239 intangible cultural heritage,214 folk art,179 Rights Subjects,159 paper-cut teaching Manchu paper-cut 132,artist 121,folk culture 119,Yu County paper-cut 116,paper-cut Animation 103. Search \"paper-cutting embroidery\" a total of 182 results,the number of folk paper-cutting papers accounted for 43 at most,folk embroidery accounted for 16.A search for \"paper-cutting,clothing\" yielded 225 results.Distribution is more even,of which 43 folk paper-cut papers, folk embroidery papers accounted for 16. The number of research papers is huge and the attention is extremely high.The traditional art of paper cutting has not faded,and it is the backbone of the inheritance and development of national","PeriodicalId":273092,"journal":{"name":"2019 International Conference on Arts, Management, Education and Innovation (ICAMEI 2019)","volume":"48 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Research Characteristics of Traditional Folk Art of Paper Cutting in Modern Society of China\",\"authors\":\"Yan Xiulan, Y. Xiaoyan\",\"doi\":\"10.23977/icamei.2019.211\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As paper-making was first invented in China, so many British and American paper-cutting artists believe that the earliest art of paper cutting also appeared in China. In fact, the art of paper cutting was proved to own long history in China by a large number of historical materials and poetry through the exploration of its origin. But in recent decades, China's social productive forces have developed rapidly, and a large number of people have poured into the cities. Great changes have taken place in people's way of life. The society has changed from a farming era to a modern time, but China's modern society art of paper cutting and aesthetic value is still attached importance and attention. The traditional art of paper cutting as a symbol of national culture and national art, exploring its characteristics in contemporary research is to outline its historical development, and the realization of a strong witness of the overall understanding. Traditional paper-cutting is the inheritance of unique expressions and values generated by Chinese people in understanding the natural environment and social life, and contains ancient historical and cultural connotations. The traditional paper cutting is the unique expression and value of our people's understanding of the natural environment and social life. It contains the ancient historical and cultural connotation. Traditional paper cutting is the most common and active art form in folk life. It is an extremely important part of folk art and a basic expression of the survival and inheritance of folk culture, and embodies the feelings, desires, and aspirations of the masses. Paper-cutting is not only a materialized art symbol, but also a symbol of folk culture. Paper-cutting is a kind of folk art form which is closely related to the life of local people in the long-term development of the agricultural society. From the perspective of semiotics, we have re-recognized the art of paper-cutting, and studied the connotation of paper-cutting folk symbols from a deeper level. Now we have re-recognized its development and research characteristics in modern society, and can better inherit the development tradition culture. 1. The original exploration of the traditional art of paper cutting In the \\\"Study on folk art of paper cutting in Northern Shaanxi\\\",Han Liang elaborated the background of the formation,folk resources,stylized artistic features,and cultural skills of folk art of paper cutting,which is the key to interpreting its vision of cultural heritage and local art.Under the influence of primitive culture,primitive philosophy,geographical environment,religious belief and other multicultural factors,the folk art of paper cutting has formed a unified emotional value 2019 International Conference on Arts, Management, Education and Innovation (ICAMEI 2019) Published by CSP © 2019 the Authors 1039 orientation and unique artistic language features.As to the background of the formation of paper cutting,he pursued the source of the paper,thinking that it is the result of the remains of mysterious primitive culture,the amalgamation of traditional original culture,the intersection of farming and grassland ecological culture,as well as the result of the blending of various cultures and religions.If we want to study the native civilization tradition,we must excavate its original culture and the artistic characteristic.This has the unique cultural significance and the historical value to our research. In the Spring and Autumn Period and the Warring States Period to the Qin and Han Dynasties, there were \\\"cut-out\\\" art form,mainly in the form of decals,Sheng,openwork,which is what scholars call \\\"non-paper cuts.With the improvement of paper-making,paper cutting gradually became popular. From the historical development process,the Tang Dynasty paper-cutting was the most prosperous, and it was already in a period of great development.In Du Fu's poems,there were sentences of “warm water washes my feet,and paper-cutting calls my soul”.The custom of cutting paper and screaming souls has been passed down to the people.Tang Dynasty paper-cutting now housed in the British Museum demonstrate that the art of paper-cutting was already at an advanced level. The complete composition of the picture expresses an ideal state of heaven and earth.Popular in the Tang Dynasty,its scented wood pattern has the characteristics of paper-cutting,such as the “pairs of sheep”,the sheep pattern is a typical expression of the art of paper-cut techniques.Tang folk there were also appeared stencil printing plates made by paper-cutting.People used thick paper to sculpt into a flower plate,and the dye was printed on the cloth to form a beautiful pattern.In short,paper-cutting emerged in the Han Dynasty, prevailed in the Tang and song dynasties.In Ming and Qing Dynasties,the art paper cutting began to enter the court,mainly for the rich pattern,meaning and use more widely.Well-preserved and continued to today.This allows us to see the outline of paper-cutting development. 2. The research performance of traditional folk art of paper cutting in contemporary society Chinese traditional art of paper cutting is a rich intangible cultural heritage,which not only displays the ancient charm of Chinese culture,but also greatly enriches the accumulation of Chinese ancient culture.The Chinese traditional art of paper cutting is standing in the treasure house of the world's culture and art,and is a great contribution to the folk art of the world.According to statistics,China's existing thirty ethnic groups have paper-cutting-related customs and traditions.The scope of the long history is rare,and it can be seen that the art of paper cutting has an important position and indelible vitality in people's lives.The traditional art of paper cutting as a symbol of national culture and national art,in contemporary research as follows: To the Hownet for example,if you search \\\"paper-cutting\\\",there are a total of 6879 results.Among them,there are 1553 folk paper-cuts,1279 the art of paper cutting,696 paper-cutting works,522 People's Republic of China,467 folk crafts,460 folk art,239 intangible cultural heritage,214 folk art,179 Rights Subjects,159 paper-cut teaching Manchu paper-cut 132,artist 121,folk culture 119,Yu County paper-cut 116,paper-cut Animation 103. 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引用次数: 0

摘要

由于造纸术最早是在中国发明的,所以许多英美剪纸艺术家认为,最早的剪纸艺术也出现在中国。事实上,通过对剪纸起源的探索,大量的史料和诗歌证明了剪纸艺术在中国有着悠久的历史。但近几十年来,中国社会生产力发展迅速,大量人口涌入城市。人们的生活方式发生了巨大的变化。社会已由农耕时代转入现代时代,但中国现代社会对剪纸艺术的审美价值依然重视和关注。将传统艺术剪纸作为民族文化和民族艺术的象征,在当代研究中探索其特点是勾勒其历史发展脉络,并全面认识其实现的有力见证。传统剪纸传承了中国人在理解自然环境和社会生活中产生的独特表达方式和价值观,蕴含着古老的历史文化内涵。传统剪纸是我国人民对自然环境和社会生活认识的独特表现和价值体现。它蕴含着古老的历史文化内涵。传统剪纸是民间生活中最常见、最活跃的艺术形式。它是民间艺术极其重要的组成部分,是民间文化生存和传承的基本表现,体现了群众的感情、愿望和愿望。剪纸不仅是一种物化的艺术符号,也是一种民俗文化的符号。剪纸是农业社会长期发展中与当地人民生活息息相关的一种民间艺术形式。从符号学的角度重新认识剪纸艺术,从更深层次研究剪纸民间符号的内涵。现在我们在现代社会中重新认识了它的发展和研究特点,能够更好地继承发展传统文化。1. 在《陕北民间剪纸艺术研究》中,韩亮阐述了民间剪纸艺术的形成背景、民间资源、风格化的艺术特征、文化技能,这是解读其文化传承和地方艺术视野的关键。在原始文化、原始哲学、地理环境、宗教信仰等多元文化因素的影响下,民间剪纸艺术形成了统一的情感价值2019年艺术、管理、教育与创新国际会议(ICAMEI 2019)由CSP出版©2019作者1039取向和独特的艺术语言特征。对于剪纸形成的背景,他追根溯源,认为它是神秘原始文化遗存的结果,是传统原始文化融合的结果,是农耕与草原生态文化交汇的结果,是各种文化、宗教交融的结果。要研究本土文明传统,就必须挖掘其原始文化和艺术特色。这对我们的研究具有独特的文化意义和历史价值。在春秋战国至秦汉时期,出现了“剪纸”的艺术形式,主要有贴花、笙、镂空等形式,也就是学者们所说的“非剪纸”。随着造纸技术的提高,剪纸逐渐流行起来。从历史发展进程来看,唐代剪纸最为繁荣,已经处于大发展时期。杜甫的诗中有“温水洗脚,剪纸唤魂”的句子。剪纸和尖叫灵魂的习俗一直流传下来。现在大英博物馆收藏的唐代剪纸表明,剪纸艺术已经达到了先进的水平。这幅画的完整构图表达了一种理想的天地状态。流行于唐代,其香木纹具有剪纸的特点,如“羊对”,羊纹是剪纸技法艺术的典型表现。唐代民间还出现了用剪纸制作的模版印刷版。人们用厚纸雕刻成花盘,再把染料印在布上,形成美丽的图案。总之,剪纸出现于汉代,盛行于唐宋。明清时期,剪纸艺术开始进入宫廷,主要是由于图案丰富,寓意丰富,用途更为广泛。保存完好并延续至今。 这让我们看到了剪纸发展的轮廓。2. 传统民间剪纸艺术在当代社会的研究表现中国传统剪纸艺术是一项丰富的非物质文化遗产,它不仅展示了中国文化的古老魅力,也极大地丰富了中国古代文化的积淀。中国传统剪纸艺术站在世界文化艺术的宝库中,是对世界民间艺术的巨大贡献。据统计,中国现有的30个民族都有与剪纸有关的习俗和传统。历史之长,范围之广,难得一见,可见剪纸艺术在人们的生活中有着重要的地位和不可磨灭的生命力。传统艺术剪纸作为民族文化和民族艺术的象征,在当代的研究如下:以知网为例,如果你搜索“剪纸”,总共有6879个结果。其中,民间剪纸1553种,剪纸艺术1279种,剪纸作品696种,中华人民共和国民间工艺品522种,民间工艺品467种,民间艺术460种,非物质文化遗产239种,民间艺术214种,权利主体179种,剪纸教学159种,满族剪纸132种,艺人121种,民间文化119种,玉县剪纸116种,剪纸动画103种。搜索“剪纸刺绣”共182条结果,民间剪纸数量最多占43条,民间刺绣占16条。搜索“剪纸,服装”得到225个结果。分布较为均匀,其中民间剪纸43种,民间刺绣纸占16种。研究论文数量庞大,关注度极高。传统的剪纸艺术没有褪色,是民族传承和发展的中坚力量
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Research Characteristics of Traditional Folk Art of Paper Cutting in Modern Society of China
As paper-making was first invented in China, so many British and American paper-cutting artists believe that the earliest art of paper cutting also appeared in China. In fact, the art of paper cutting was proved to own long history in China by a large number of historical materials and poetry through the exploration of its origin. But in recent decades, China's social productive forces have developed rapidly, and a large number of people have poured into the cities. Great changes have taken place in people's way of life. The society has changed from a farming era to a modern time, but China's modern society art of paper cutting and aesthetic value is still attached importance and attention. The traditional art of paper cutting as a symbol of national culture and national art, exploring its characteristics in contemporary research is to outline its historical development, and the realization of a strong witness of the overall understanding. Traditional paper-cutting is the inheritance of unique expressions and values generated by Chinese people in understanding the natural environment and social life, and contains ancient historical and cultural connotations. The traditional paper cutting is the unique expression and value of our people's understanding of the natural environment and social life. It contains the ancient historical and cultural connotation. Traditional paper cutting is the most common and active art form in folk life. It is an extremely important part of folk art and a basic expression of the survival and inheritance of folk culture, and embodies the feelings, desires, and aspirations of the masses. Paper-cutting is not only a materialized art symbol, but also a symbol of folk culture. Paper-cutting is a kind of folk art form which is closely related to the life of local people in the long-term development of the agricultural society. From the perspective of semiotics, we have re-recognized the art of paper-cutting, and studied the connotation of paper-cutting folk symbols from a deeper level. Now we have re-recognized its development and research characteristics in modern society, and can better inherit the development tradition culture. 1. The original exploration of the traditional art of paper cutting In the "Study on folk art of paper cutting in Northern Shaanxi",Han Liang elaborated the background of the formation,folk resources,stylized artistic features,and cultural skills of folk art of paper cutting,which is the key to interpreting its vision of cultural heritage and local art.Under the influence of primitive culture,primitive philosophy,geographical environment,religious belief and other multicultural factors,the folk art of paper cutting has formed a unified emotional value 2019 International Conference on Arts, Management, Education and Innovation (ICAMEI 2019) Published by CSP © 2019 the Authors 1039 orientation and unique artistic language features.As to the background of the formation of paper cutting,he pursued the source of the paper,thinking that it is the result of the remains of mysterious primitive culture,the amalgamation of traditional original culture,the intersection of farming and grassland ecological culture,as well as the result of the blending of various cultures and religions.If we want to study the native civilization tradition,we must excavate its original culture and the artistic characteristic.This has the unique cultural significance and the historical value to our research. In the Spring and Autumn Period and the Warring States Period to the Qin and Han Dynasties, there were "cut-out" art form,mainly in the form of decals,Sheng,openwork,which is what scholars call "non-paper cuts.With the improvement of paper-making,paper cutting gradually became popular. From the historical development process,the Tang Dynasty paper-cutting was the most prosperous, and it was already in a period of great development.In Du Fu's poems,there were sentences of “warm water washes my feet,and paper-cutting calls my soul”.The custom of cutting paper and screaming souls has been passed down to the people.Tang Dynasty paper-cutting now housed in the British Museum demonstrate that the art of paper-cutting was already at an advanced level. The complete composition of the picture expresses an ideal state of heaven and earth.Popular in the Tang Dynasty,its scented wood pattern has the characteristics of paper-cutting,such as the “pairs of sheep”,the sheep pattern is a typical expression of the art of paper-cut techniques.Tang folk there were also appeared stencil printing plates made by paper-cutting.People used thick paper to sculpt into a flower plate,and the dye was printed on the cloth to form a beautiful pattern.In short,paper-cutting emerged in the Han Dynasty, prevailed in the Tang and song dynasties.In Ming and Qing Dynasties,the art paper cutting began to enter the court,mainly for the rich pattern,meaning and use more widely.Well-preserved and continued to today.This allows us to see the outline of paper-cutting development. 2. The research performance of traditional folk art of paper cutting in contemporary society Chinese traditional art of paper cutting is a rich intangible cultural heritage,which not only displays the ancient charm of Chinese culture,but also greatly enriches the accumulation of Chinese ancient culture.The Chinese traditional art of paper cutting is standing in the treasure house of the world's culture and art,and is a great contribution to the folk art of the world.According to statistics,China's existing thirty ethnic groups have paper-cutting-related customs and traditions.The scope of the long history is rare,and it can be seen that the art of paper cutting has an important position and indelible vitality in people's lives.The traditional art of paper cutting as a symbol of national culture and national art,in contemporary research as follows: To the Hownet for example,if you search "paper-cutting",there are a total of 6879 results.Among them,there are 1553 folk paper-cuts,1279 the art of paper cutting,696 paper-cutting works,522 People's Republic of China,467 folk crafts,460 folk art,239 intangible cultural heritage,214 folk art,179 Rights Subjects,159 paper-cut teaching Manchu paper-cut 132,artist 121,folk culture 119,Yu County paper-cut 116,paper-cut Animation 103. Search "paper-cutting embroidery" a total of 182 results,the number of folk paper-cutting papers accounted for 43 at most,folk embroidery accounted for 16.A search for "paper-cutting,clothing" yielded 225 results.Distribution is more even,of which 43 folk paper-cut papers, folk embroidery papers accounted for 16. The number of research papers is huge and the attention is extremely high.The traditional art of paper cutting has not faded,and it is the backbone of the inheritance and development of national
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