lsamsbos岛移民集体影像中的自我表现模式:新大陆原住民

Nagehan Uskan
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引用次数: 0

摘要

《新世界的原住民》是一部由Kino Mosaik集体用手机拍摄的纪录短片,该团体于2018年在希腊莱斯博斯岛成立。作为集体成员的移民试图将他们被困在莱斯沃斯岛等待庇护申请决定的时期转变为一个建设性的过程。基诺·莫赛克的主要目标是反对主流媒体和许多艺术表现所塑造的被动、非政治和受害的移民形象。这个集体认为这只有从他们的角度才有可能,他们把这部电影作为一种反对刻板印象的表现系统的行动。在这部简短的纪录片中,不仅展示了移民必须应对的困难条件,而且还展示了他们对这些条件形成的集体抵抗的形式。本文将通过比较《新大陆土著人》和它所反对的代表性工具来分析《新大陆土著人》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Modes of Self-Representation in the Images Collectively Produced by Migrants in Lésbos Island: Natives of the New World
Natives of the New World is a short documentary film shot on cell phones by the Kino Mosaik collective, which was founded in Lesbos Island, Greece, in 2018. The migrants who were members of the collective tried to transform the period when they were stuck in Lesbos waiting for the decision on their asylum applications into a constitutive process. Kino Mosaik’s main goal was to oppose the passive, apolitical, and victimized migrant image created by mainstream media and many artistic representations. The collective thought that this was possible only from their perspective, and they made this film as an action against stereotypical representational systems. In the short documentary, not only are the difficult conditions that migrants have to deal with made visible but also the forms of collective resistance they have developed against them. This article will analyse Natives of The New World by comparing it with the representational tools it opposes.
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