{"title":"作为实践的课程","authors":"Thomas A. Regelski","doi":"10.1093/oso/9780197558690.003.0006","DOIUrl":null,"url":null,"abstract":"In this chapter, the cumulative effect of the previous five chapters supports a model of a praxis-oriented curriculum. The basic emphasis is designing curriculum that facilitates and promotes musicing by students and skills that can be used outside of school and after graduation. WARNING: Reliance on (i.e., thoughtlessly imitating) this model is not recommended. The model cannot be understood without consulting at least Chapters Three through Five. The three dimensions of a praxical curriculum are identified as (a) the action or praxis dimension, (b) the musicianship or competency dimension, and (c) the dimension that addresses attitudes, values, and personal rewards. A model of such a curriculum for middle school chorus is presented, as edited by the author and several in-service chorus teachers. It can easily be a model for the various curricular needs of band, orchestra, and general music classes. It concludes with suggestions for means of evaluating a praxical curriculum. Such a curriculum is situated: it obtains only in regard to specific conditions in a particular school—though multiple teachers in a school district can and should be guided by a shared curriculum they developed together.","PeriodicalId":381230,"journal":{"name":"Curriculum Philosophy and Theory for Music Education Praxis","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Curriculum as and for Praxis\",\"authors\":\"Thomas A. Regelski\",\"doi\":\"10.1093/oso/9780197558690.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this chapter, the cumulative effect of the previous five chapters supports a model of a praxis-oriented curriculum. The basic emphasis is designing curriculum that facilitates and promotes musicing by students and skills that can be used outside of school and after graduation. WARNING: Reliance on (i.e., thoughtlessly imitating) this model is not recommended. The model cannot be understood without consulting at least Chapters Three through Five. The three dimensions of a praxical curriculum are identified as (a) the action or praxis dimension, (b) the musicianship or competency dimension, and (c) the dimension that addresses attitudes, values, and personal rewards. A model of such a curriculum for middle school chorus is presented, as edited by the author and several in-service chorus teachers. It can easily be a model for the various curricular needs of band, orchestra, and general music classes. It concludes with suggestions for means of evaluating a praxical curriculum. Such a curriculum is situated: it obtains only in regard to specific conditions in a particular school—though multiple teachers in a school district can and should be guided by a shared curriculum they developed together.\",\"PeriodicalId\":381230,\"journal\":{\"name\":\"Curriculum Philosophy and Theory for Music Education Praxis\",\"volume\":\"36 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Curriculum Philosophy and Theory for Music Education Praxis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197558690.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Curriculum Philosophy and Theory for Music Education Praxis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197558690.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this chapter, the cumulative effect of the previous five chapters supports a model of a praxis-oriented curriculum. The basic emphasis is designing curriculum that facilitates and promotes musicing by students and skills that can be used outside of school and after graduation. WARNING: Reliance on (i.e., thoughtlessly imitating) this model is not recommended. The model cannot be understood without consulting at least Chapters Three through Five. The three dimensions of a praxical curriculum are identified as (a) the action or praxis dimension, (b) the musicianship or competency dimension, and (c) the dimension that addresses attitudes, values, and personal rewards. A model of such a curriculum for middle school chorus is presented, as edited by the author and several in-service chorus teachers. It can easily be a model for the various curricular needs of band, orchestra, and general music classes. It concludes with suggestions for means of evaluating a praxical curriculum. Such a curriculum is situated: it obtains only in regard to specific conditions in a particular school—though multiple teachers in a school district can and should be guided by a shared curriculum they developed together.