作为实践的课程

Thomas A. Regelski
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引用次数: 0

摘要

在本章中,前五章的累积效应支持了实践导向的课程模式。基本的重点是设计课程,促进和促进学生的音乐和技能,可以在校外和毕业后使用。警告:不建议依赖(即不加考虑地模仿)此模型。如果不至少参考第三章到第五章,就无法理解这个模型。实践课程的三个维度被确定为:(a)行动或实践维度,(b)音乐能力或能力维度,以及(c)处理态度、价值观和个人奖励的维度。本文提出了一个由笔者与几位在职合唱教师共同编写的中学合唱课程模式。它可以很容易地成为乐队、管弦乐队和普通音乐课程的各种课程需求的模型。最后提出了评价实用课程的方法建议。这样的课程是定位的:它只能在特定学校的特定条件下获得,尽管一个学区的多名教师可以而且应该以他们共同开发的共同课程为指导。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Curriculum as and for Praxis
In this chapter, the cumulative effect of the previous five chapters supports a model of a praxis-oriented curriculum. The basic emphasis is designing curriculum that facilitates and promotes musicing by students and skills that can be used outside of school and after graduation. WARNING: Reliance on (i.e., thoughtlessly imitating) this model is not recommended. The model cannot be understood without consulting at least Chapters Three through Five. The three dimensions of a praxical curriculum are identified as (a) the action or praxis dimension, (b) the musicianship or competency dimension, and (c) the dimension that addresses attitudes, values, and personal rewards. A model of such a curriculum for middle school chorus is presented, as edited by the author and several in-service chorus teachers. It can easily be a model for the various curricular needs of band, orchestra, and general music classes. It concludes with suggestions for means of evaluating a praxical curriculum. Such a curriculum is situated: it obtains only in regard to specific conditions in a particular school—though multiple teachers in a school district can and should be guided by a shared curriculum they developed together.
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