空中体操马戏类型的特点(以二人转corde de pÉril为例的综合形式)

D. Orel
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引用次数: 0

摘要

本研究的目的是分析杂技体裁空中体操二人转《生死号令》中作为技巧建构组成部分的芭蕾舞腔的形式和技术的具体特点。这篇文章的科学新颖之处在于试图理解在双人舞的微型芭蕾和双人舞的空中体操中独特使用类似priyoms的现象,这在今天的空中体操中是相当罕见的,也是这种马戏类型的代表。音乐伴奏丰富了可塑性和表现力,并且可以在两个向量的交叉处找到-芭蕾舞和马戏体操,特技表演。在垂直平面(与芭蕾的水平平面相反)上的表现手法,展示了感知综合体裁的新范式。关键词:马戏艺术;马戏体裁;空中体操
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FEATURES OF THE CIRCUS GENRE OF AERIAL GYMNASTICS (FORMS OF SYNTHESIS ON THE EXAMPLE OF A DUET CORDE DE PÉRIL)
The purpose of the research is to analyze the specific features of the forms and techniques of ballet priyoms that are used as an integral part in the construction of tricks in the duet corde de peril of the circus genre of aerial gymnastics. The scientific novelty of the article consists in an attempt to comprehend the phenomenon of the unique use of similar priyoms both in ballet in a duet miniature and in aerial gymnastics of a duet corde de peril , which is a rather rare occurrence and representation of this circus genre in aerial gymnastics today. Plasticity, and expression are enriched with musical accompaniment and can be found at the intersection of two vectors − ballet and circus gymnastics, stunts in tricks. The technique of representation in the vertical plane (as opposed to horizontal in the ballet), demonstrates the new paradigm of perception synthesized genre. Key words: circus art, circus genres, aerial gymnastics, circus trick , corde de peril
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