{"title":"工作中的审查者","authors":"J. Billheimer","doi":"10.5810/kentucky/9780813177427.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter views the Production Code Administration through the eyes of the censors employed by the administration, documenting their approach to reviewing film sources, scripts, and completed films. General and specific guidelines in the four-thousand-word Code are cited, and the chapter provides examples of the interpretation of these guidelines by administration employees such as Joe Breen, Jack Vizzard, and Albert Van Schmus. Guidelines explored include the duration of screen kisses, forbidden words and the use of double beds. The approaches and effectiveness of Code censors are documented through their correspondence with producers and directors, including Alfred Hitchcock.","PeriodicalId":144694,"journal":{"name":"Censorship Of Literature In Post-Revolutionary Iran","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Censors at Work\",\"authors\":\"J. Billheimer\",\"doi\":\"10.5810/kentucky/9780813177427.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter views the Production Code Administration through the eyes of the censors employed by the administration, documenting their approach to reviewing film sources, scripts, and completed films. General and specific guidelines in the four-thousand-word Code are cited, and the chapter provides examples of the interpretation of these guidelines by administration employees such as Joe Breen, Jack Vizzard, and Albert Van Schmus. Guidelines explored include the duration of screen kisses, forbidden words and the use of double beds. The approaches and effectiveness of Code censors are documented through their correspondence with producers and directors, including Alfred Hitchcock.\",\"PeriodicalId\":144694,\"journal\":{\"name\":\"Censorship Of Literature In Post-Revolutionary Iran\",\"volume\":\"16 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Censorship Of Literature In Post-Revolutionary Iran\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5810/kentucky/9780813177427.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Censorship Of Literature In Post-Revolutionary Iran","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5810/kentucky/9780813177427.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
摘要
本章通过审查人员的视角来审视生产代码管理,记录他们审查电影资源、剧本和完成电影的方法。在4000字的代码中引用了一般和具体的指导方针,本章提供了Joe Breen, Jack Vizzard和Albert Van Schmus等行政雇员对这些指导方针的解释的例子。研究的指导方针包括屏幕之吻的持续时间、禁忌词汇和使用双人床。代码审查的方法和有效性通过他们与制片人和导演的通信记录下来,包括阿尔弗雷德·希区柯克。
This chapter views the Production Code Administration through the eyes of the censors employed by the administration, documenting their approach to reviewing film sources, scripts, and completed films. General and specific guidelines in the four-thousand-word Code are cited, and the chapter provides examples of the interpretation of these guidelines by administration employees such as Joe Breen, Jack Vizzard, and Albert Van Schmus. Guidelines explored include the duration of screen kisses, forbidden words and the use of double beds. The approaches and effectiveness of Code censors are documented through their correspondence with producers and directors, including Alfred Hitchcock.