制造东西的建筑

A. Rossi, R. Dini
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引用次数: 0

摘要

新世纪以来,与中东部地区相比,西阿尔卑斯地区的边缘化程度日益加深。毕竟,摆脱20世纪现代化留下的沉重遗产——放弃领土和旅游业——并不容易。然而,今天,似乎有一些证据表明,敏感性发生了根本性的变化,其特点是意识到当代建筑在当地维度方面的潜力和局限性。这就是为什么环境、景观、历史、传统、遗产不再仅仅是山区使用者展示的“恋物”,而是成为当代性试图修复与领土中断的联系的线索。高质量的建筑似乎不再仅仅是一种自我参照的组合练习,而是一种有意识的机会,将需求、想象、期望、领土的身份转化为物理项目。项目在过程中,必须对妥协做出反应,有时美学-形式方面只是控制项目的所有方面之一,这成为极端多样化和对比问题的结果。这种工作条件,总是处于过程的边缘,不可避免地也影响了建筑的形式,其中操作环境的困难和不稳定性成为表征具象和建筑方面的先决条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Architettura nel farsi delle cose
When compared with the central-eastern ones, the Western Alps have experienced a growing marginality in the new century. After all, getting out of the heavy legacy left by twentieth-century modernisation – abandonment of territories and tourism – is not easy. Today, however, there seems to be some evidence of a radical change in sensitivity, characterised by an awareness of the potential and limits of the contemporary architecture in relation to local dimension. This is how environment, landscape, history, traditions, heritage are no longer just a “fetish” to be exhibited for the mountain users, but become the threads with which contemporaneity tries to mend the ties interrupted with the territories. Quality architecture no longer seems to be just a self-referential exercise of composition, but a conscious opportunity to translate the demands, imaginaries, expectations, identities of the territories, in physical projects. Projects that are within the processes and that necessarily respond to compromises, in which sometimes the aesthetic-formal aspect is only one among all that control the project, that become the result of extremely diversified and contrasting questions. This working condition, always at the edge of the processes, inevitably also affects the forms of architecture, in which the difficulties and precariousness of the operational context become a prerequisite for the characterisation of the figurative and architectural aspects.
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