《出埃及记》25:9,40中他坛在天地圣所对应的语境中的意义

Blasius Abin
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引用次数: 0

摘要

天上的圣所/圣殿的画面是地上的对应建筑的模型。这种理解主要是通过以下概念来表达的:出埃及记25:9,40中的“样式,样式,样式”,希伯来书8:5中的“σκιά”,希伯来书9:23,24中的“复制品”,或希伯来书9:23,24中的“复制品”。它揭示了天上的圣所是地上圣殿的原型。在《出埃及记》的上下文中,摩西要在地上建造的圣所的原型就是这个词。摩西很可能看到了天上的圣所和他必须在地上建造的“模型”。因此,“”预设了一种原始的现实,同时也暗示了天上的圣所和地上的圣所之间的一种习惯的对应关系。关键词:模式;天上的圣所;地上的圣所
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Significance of tabnith in the Context of Correspondence of Heavenly and Earthly Sanctuary in Exodus 25:9, 40
The picture of the heavenly sanctuary/temple is that of a model for the construction of the earthly counterpart. This understanding is conveyed mainly by the concept of תַּבְנִ֣ית, “pattern, form, or model” in Exod 25:9, 40 or σκιά, “shadow” in Heb 8:5, or ὑπόδειγμα, “copy” in Heb 9:23, 24. It reveals that the heavenly sanctuary functions as the archetype of the earthly temple. In the context of the book of Exodus, תַּבְנִ֣ית functions as the model of the sanctuary Moses was to build on the earth. Moses was probably shown the heavenly sanctuary and a “model” of what he had to build upon the earth. The תַּבְנִ֣ית thus presupposes an original reality and, at the same time, also suggests an idiomatic correspondence between the heavenly sanctuary and its earthly counterpart. Keywords: pattern; heavenly sanctuary; earthly sanctuary
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