创意写作综合心理基础的认知研究

Z. Maslova, Denis Minakhin
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引用次数: 0

摘要

本文提出了诗性世界图景的认知理论作为进一步研究诗性文本的方法论框架。本文的主要观点是,诗歌作为一门艺术,是建立在整个特殊的概念结构系统的基础上的,这些概念结构是世界概念图景的一部分,这些概念结构在诗歌文本的语言中得到体现。诗性世界图景的认知理论包括:界定诗性世界图景的主要认知功能;定义知识的种类,通过这个函数概念化知识;构建该知识领域,突出其处于概念化过程中的主要结构要素;界定世界诗情画意的具体范畴和层次。诗性世界图景的结构组织是本文研究的重点。诗歌作为一种人类认知活动,反映了人与世界(“我”系统、“世界”系统)相互作用的经验。作为一种心理结构的世界的诗意图景确定了关于什么事件和情况可能是诗歌的主题以及它们应该以何种语言形式表现的标准、期望和刻板印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
COGNITIVE INVESTIGATION OF THE INTEGRATED MENTAL BASIS OF CREATIVE WRITING
In the article it is suggested the cognitive theory of the poetic picture of the world as a methodological frame for further investigation of the poetic text. The main idea of the paper is that poetry as an art is based on the whole system of special conceptual structures which are the part of the conceptual picture of the world and these conceptual structures get representation in the language of the poetic text. The cognitive theory of the poetic picture of the world includes: defining the main cognitive function of the poetic picture of the world; defining the kind of knowledge, which is conceptualized through this function; structuring the field of this knowledge, highlighting its main structural elements which are under the process of conceptualization; defining the specific categories and categorical levels of the poetic picture of the world. Structural organization of the poetic picture of the world is the key point in the paper. It is stated that poetry as a kind of human cognitive activity reflects the experience of interaction between the human being and the world (“I”-system, “World”-system). the poetic picture of the world as a mental construct fixes standards, expectations and stereotypes about what events and situations may be the subject of poetry and what language form they should be represented in.
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