光学与宇宙学:从欧几里得到弗洛伊德

D. Stephenson.
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引用次数: 0

摘要

在科学唯物主义世界观中,任何无法解释的现象都被认为是不完全理解或错误的产物,本文探讨了科学唯物主义世界观是如何从早期的宇宙模型中产生的。在这些早期的宇宙学中,神秘仍然是一个重要的组成部分,光的作用是表达有序的层次本体的关键因素。展示光学在我们对宇宙的理解的发展和进化中的作用,欧几里得,柏拉图和菲西诺的作品中的光的概念被调查。据推测,光一开始是神圣不可言说的一面,通过科学革命和启蒙运动成为人类理解的光。这种理解的发展是通过对笛卡尔、基尔彻和边沁的光学研究的考察来追踪的,并通过四种光学技术进行了探索:望远镜、暗箱、魔灯和全景监狱。正如Jean Gebser在《永远存在的起源》中指出的那样,黑暗必然伴随着光明,这篇论文也研究了作为启蒙运动对立面存在的黑暗的观点,最终位于思想本身。这是通过检查弗洛伊德使用投影的光学现象的隐喻来调查的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Optics and Cosmology: from Euclid to Freud
This paper explores how the scientific materialist worldview, where any inexplicable phenomenon is regarded as an artefact of incomplete understanding or error, arose from earlier models of the cosmos. In these earlier cosmologies, the mysterious remained an important component and the role of light was a key factor in expressing an ordered hierarchical ontology. Demonstrating the role of optics in the development and evolution of our understanding of the cosmos, the conception of light in the writings of Euclid, Plato and Ficino is surveyed. It is postulated that light starts off as an aspect of divine ineffability, and through the Scientific Revolution and Enlightenment becomes the light of human understanding. This development in understanding is traced through an examination of the optical studies of Descartes, Kircher and Bentham, and explored through four optical technologies: the spyglass, the camera obscura, the magic lantern, and the panopticon. As Jean Gebser points out in ‘The Ever Present Origin’ darkness must necessarily accompany the light, and this paper also examines the idea that the darkness that exists as the opposite of the Enlightenment, ends up located in the mind itself. This is investigated through an examination of Freud's use of the metaphor of the optical phenomenon of projection.
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