百花齐放:色诺芬《以弗所书》中情色安德烈亚和永恒之美的文学onomonoms分析

J. Genter
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引用次数: 1

摘要

古代读者对词源学和典故意义重大的人物名字高度敏感,这有助于以各种方式塑造他们对叙事的体验和理解。作者经常在他们的作品中利用这一事实。本文利用这种状况,利用文学调和的onomonomy分析来探索色诺芬的《以弗所书》中的两个主题。具体来说,我认为色诺芬运用了几个角色的名字,以一种重要的解释方式,有时甚至是复杂的方式,来构建与情爱和永恒之美有关的主题。关于性爱恐惧症,本研究在很大程度上补充和证实了最近学术研究中出现的结论,并提供了一些可供考虑的新建议。色诺芬对永恒之美的兴趣在当代学术界除了大卫·康斯坦(David Konstan)的《性对称》(Sexual Symmetry)之外,并没有受到太多关注。本研究的结果表明,这一主题值得进一步研究。我提供了一个简短的概述,根据onomonomy分析,主题发生在哪里,为什么它在色诺芬讲述的故事中很重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Anthia and Habrocomes in Full Bloom: A Literary Onomastic Analysis of Erotic Andreia and Lasting Beauty in Xenophon’s Ephesiaca
Ancient readers were highly attuned to etymologically and allusively significant character names, which helped shape their experience and understanding of narratives in a variety of ways. Authors frequently exploited that fact in their compositions. This paper capitalizes on that state of affairs by utilizing a literarily attuned onomastic analysis to explore two themes in Xenophon’s Ephesiaca. Specifically, I argue that Xenophon deploys several character names in interpretively important and sometimes sophisticated ways to serve the construction of themes relating to erotic andreia and lasting beauty. Regarding erotic andreia, this study largely supplements and corroborates conclusions that have been emerging in recent scholarship and offers a few fresh proposals for consideration. Xenophon’s interest in lasting beauty has not received much attention in contemporary scholarship outside of David Konstan’s Sexual Symmetry. The results of this study suggest that the theme deserves further examination. I offer a brief sketch, informed by onomastic analysis, of where the theme occurs and why it matters in the story Xenophon is telling.
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