边界

M. Gott
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引用次数: 0

摘要

本文主张在当代、后殖民背景下对“边界”有一个更广泛的概念。法国的边界在地理上和概念上都日益分散。多向的人口流动、欧洲边境政策的影响,以及划分圈内人与圈外人的概念边界,都必须考虑在内。从严格的空间角度来看,法国和欧洲的当代边界不仅仅是人们跨越或被迫停止的物理线(无论多么流动或可渗透),而是区域,接触空间和来回空间,或“边界”,使用边界边界和边界边界的概念。借鉴移民和当前边界理论的历史研究,本文采用两种主要的边界方法:首先作为社会和政治概念,然后作为物理空间或区域。然后,它总结了来自法国,法语国家和更广泛的欧洲电影工业的边境过境和边境经历的电影表现的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Borders
This essay argues for a broader conception of the ‘border’ in a contemporary, postcolonial context. French borders are increasingly diffuse geographically and conceptually. Multidirectional population flows, the effects of European border policies and the ideational borders that delineate between putative insiders and outsiders must all be taken into account. In strictly spatial terms, the contemporary borders of France and Europe are not simply physical lines (however fluid or permeable) where people cross or are compelled to stop, but zones, spaces of contact and back-and-forth, or a ‘borderland’, to use étienne Balibar’s concept. Drawing on historical studies of immigration and current border theory, the essay takes two primary approaches to borders: first as social and political concepts and then as physical spaces or zones. It then concludes examples of cinematic representations of border crossings and border experiences, taken from French, francophone and wider European film industries.
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